Evan Ifekoya: Ritual Without Belief

Gasworks presents Ritual Without Belief, the first solo exhibition in London and a major new commission by London-based artist Evan Ifekoya.

Envisaged as a site of abundance in which various positions and propositions accumulate and intersect, the exhibition comprises an extended sound work and installation that explore how to create the conditions for polyvocality. Lasting six hours—the length of Gasworks’ opening hours—Ifekoya describes their sound work as “a black queer algorithm across generations, locations and political affiliations.” It is made up of different textures, qualities and recording techniques that evoke contrasting moods and situations: from a near-constant layer of underwater and inner body sounds to a fugue-like chorus that gives structure to the work and demands periodic attention. Vocal samples draw from literature and theory, music, conversations with friends, and other more intimate thoughts and reflections, often returning to key refrains.

Suspended from the gallery ceiling, a bespoke sound system articulates and gives form to the broad range of frequencies and fidelities held within this work. This was designed and made together with a group of London-based peers during a series of workshops leading up to the exhibition. Having learned the necessary skills and technical knowledge, this crew will lead on maintaining the system as a community resource in future. A grayscale ocean covers the floor beneath the sound system, arching upwards in waves at either end of the gallery. At the crest of the largest wave is an installation of black, white, silver and orange helium balloons that references The Loft, a party that revolutionised the club scene in downtown Manhattan during the 1970s. These will deflate and fall over time, slowly bringing the party to an end. But the waves of inheritance continue: at the far end of the gallery the photograph Bodybuilder with Bra (1990) by London-based artist Ajamu is shown publicly for the first time since the year it was originally made.

Evan Ifekoya’s exhibition is commissioned and produced by Gasworks, where Ifekoya has been a studio holder since June 2017, with major support from Arts Council England, Catherine Petitgas and Gasworks’ Exhibitions Programme Supporters 2018-19. Leading on the design and build of the sound system are: James Bunton, Kiera Coward-Deyell and Nick Sigsworth. Collaborating on the build are: Naeem Davis, Rabz Lansiquot, Shenece Liburd, Natasha Nkonde, Shy One and Gin Wilson.

Exhibition events

Performance: Healing Exercises for Limitless Potential (H.E.L.P)
Saturday, July 7, 8pm
As part of Art Night 2018, Evan Ifekoya and Hannah Catherine Jones present Healing Exercises for Limitless Potential (H.E.L.P), a live collaborative sound work envisaged as time capsule for the post-apocalyptic future that is today—a mediation on meditation and healing for black folk. 

“From A Place of Abundance”: An Intergenerational Conversation with Evan Ifekoya, Ajamu X & Rene Matić
Saturday, July 28, 2pm
Organised by Rabz Lansiquot, this salon invites three queer Black artists from different generations to engage in a conversation about their relative practices, experiences and thoughts about queer Black art in the UK.

Evan Ifekoya: Screening & Conversation
Thursday, August 30, 6:30pm
A screening of a selection of short films by Evan Ifekoya, followed by a conversation with filmmaker and programmer Rabz Lansiquot.

Residency events

Autumn Open Studios
Open studios: Saturday, September 1, 12–6pm
Artists’ talks: Saturday, September 1, 4pm

Libita Clayton (UK)
Lungiswa Gqunta (South Africa)
Sylbee Kim (South Korea)
Rafael RG (Brasil)

Gasworks’ current international artists-in-residence open their studios to the public throughout the day on Saturday, September 1. Open studios and artists’ talks offer audiences a unique opportunity to see, hear about and discuss the research and work-in-progress that these artists have been developing during their residencies.

Gasworks’ current residencies are supported by the Freelands Foundation; Mercedes Vilardell; Arts Council Korea; and Gasworks’ Brazilian Residency Patrons Circle.