The e-flux Index carries on its cover a labyrinth, composed from many winding textual paths, nooks, and crannies. Magazines and labyrinths share a certain nonlinearity. This publication’s ambition is in part to help orient readers through the breadth of two months of e-flux’s broad commissioning across arts, architecture, criticism, philosophy, film, and a whole cosmos of other topics, and to thereby give structure and coherence to the multi-tabbed browsers of an often-cluttered digital publishing landscape. But like any good labyrinth it also remains attuned to the project of radical disorientation. The resultant Index is situated somewhere between a travel guide to the contemporary moment and the Situationist “counter-maps” produced by Guy Debord, Michèle Bernstein, Jacqueline de long, and Asger Jorn for their experimental dérives through the city and the archive.