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e-fluxAnnouncement2026-11-05
e-flux
Louvre Abu Dhabi

Birth of a Collection publication

e-fluxAnnouncement2026-11-05
e-flux
Astrup Fearnley Museet
Material Shifts
Pushwagner
e-fluxAnnouncement2026-11-05
e-flux
BOZAR Centre for Fine Arts
William Kentridge
I am not me, the horse is not mine
e-fluxAnnouncement2026-11-05
e-flux
Museum of Contemporary Art Antwerp (M HKA)
Lee Bul
From 1998 to Now
e-fluxAnnouncement2026-11-05
e-flux
Museum of Contemporary Art Kiasma
Oliver Beer
The Cave
e-fluxAnnouncement2026-11-05
e-flux
Nam June Paik Art Center
Hyundai Translocal Series
Via Satellite
e-fluxAnnouncement2026-11-05
Agenda
Museo Civico di Castelbuono
Maria D. Rapicavoli
MAXIPROCESSO
e-fluxAnnouncement2026-11-05
Agenda
Le 19, Centre régional d’art contemporain
La femme aux bras poissons
e-fluxAnnouncement2026-11-05
Architecture
Nieuwe Instituut
Yassine Salihine to curate the Dutch Pavilion at 2027 Venice Architecture Biennale
e-fluxAnnouncement2026-11-05
Education
University of Fine Arts Münster
W3-Professorship Textile Practices
e-fluxAnnouncement2026-11-05
Education
School of the Art Institute of Chicago
Programs in Curatorial Practices, Arts Administration, and Art History
e-fluxAnnouncement2026-11-05
Education
Institute Art Gender Nature, Basel Academy of Art and Design FHNW
“The Question of Class: Art Labor and Class Erasure”
e-fluxAnnouncement2026-11-04
e-flux
Pavilhão Julião Sarmento

Iris Buchholz Chocolate: Between Continents / Rita McBride: Arena 3003 programmes

e-fluxAnnouncement2026-11-04
e-flux
Gyeonggi Museum of Modern Art
Index Asia
e-fluxAnnouncement2026-11-04
e-flux
Museum Folkwang
Following Damascus…
e-fluxAnnouncement2026-11-04
e-flux
Stavanger Art Museum
Cory Arcangel
Family Office
e-fluxAnnouncement2026-11-04
Agenda
Ann Wolff Foundation Gotland
Open call & application
e-fluxAnnouncement2026-11-04
Agenda
Arts of the Working Class

Online archive under construction

e-fluxAnnouncement2026-11-04
Architecture
e-flux Architecture / Columbia University Graduate School of Architecture, Planning and Preservation
Celebrating 10 years of e-flux Architecture
e-fluxAnnouncement2026-11-04
Architecture
SCI-Arc
Call for applications: MS Design Theory and Pedagogy
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Criticism
Tom Overton’s John Berger: From Life
Brian Dillon
Verso
Tom Overton’s biography of Berger has been a decade and a half in conception, research, and composition; the English writer and scholar was first employed to catalog his subject’s archive before taking on the intimate and wide-ranging—Berger was prolific, well connected, also long-lived—task of writing his life. From Life is an ambiguous title that surely incorporates the sense that here was a creative intellect awkwardly posed between an idea of artistic and personal authenticity, and a feeling that this needed always to be designed in advance. 
Direct your eyes outdoors
The Editors
There’s much to be written about those Jules Chéret posters—how they link back to pre-revolutionary painting, are indebted to the Japanese prints then causing a sensation in Paris, anticipate the work of artists as diverse as Sigmar Polke, Emory Douglas, and Jenny Holzer—but the point is that the images most influential on the history of art were not to be found in the salon, but in the surrounding city. And this begs the question, after Art Basel Paris was curtailed by an uprising spreading across Europe, of what is to be found on the streets outside the Grand Palais? ...
Tom McCarthy’s The Rhyl Poster
Kaelen Wilson-Goldie
New York Review Books
Like Remainder, The Rhyl Poster is a novel of ideas that digs into the purpose of art, broadly construed. Why do we make it, what does it respond to, and how does it make a difference in the world? In many ways, by melding art not only to an economic system but also to the war machines it has enabled, and to the immunity from war crimes that its supposedly regulatory legal systems have ensured, McCarthy’s latest novel is also his darkest—though its urgency may be lost in the fineness of its style.
More
Notes
November 4, 2026
Darkest Rhododendron: On John Berger’s “Permanent Red”
By Daniel Muzyczuk
November 2, 2026
Fire, Film, and Ancestral Dreaming: A Collective Conversation
Film
By Elizabeth A. Povinelli and Gawan Fagard
October 30, 2026
The Deepest Crater
By Hiwa K
October 28, 2026
Manifesto of the Lumpen-Scolétariat
By Groupe Fernand Illich
October 26, 2026
Cinema in the 21st Century
Film
By Alexander Kluge
October 23, 2026
The Contractor
By Jesse Darling
October 21, 2026
Freedom of Speech, Freedom of Noise
By Yazan Khalili
More
Journal
#166 October 2026
Issue #166
October 2026
EditorialEditors
Revolutions That as Yet Have No Model: Political Surrealisms and Tyrannical ExcessesLuce deLire
Chain of Fools FKA FantasyPark McArthur and Constantina Zavitsanos
Ontogenetic Fantasies: Objects and Images as Crystallized CapacitiesLudovic Coupaye
The Goldfish Remembers: On the Curatorial Flex of Exhibition HistoriesLucy Steeds
Manifesto for a New Humanism, Part 1: Cellular ThinkingGiuliana Bruno
Parallel Acts, Part 1: Lucy RavenStanley Wolukau-Wanambwa
Movements, Reparation, and the Constitution of EverythingDenise Ferreira da Silva and Juliana Streva
#165 September 2026
Issue #165
September 2026
EditorialEditors
They Lived a Cosmic LifeBoris Groys and Svetlana Baskova
When the War Comes: Erosion, Transition, and Manic MelancholiaHenrike Kohpeiß
How Much Fascism in the Maximum Power Principle?Antonia Majaca
Neptune Frost and the Final Future of AfrofuturismCharles Tonderai Mudede
Populism, or, The Cultural Logic of Late FascismT. J. Demos
Lifted AFMcKenzie Wark
Spatial CompositionNeil Gray and Andreas Petrossiants
#164 June 2026
Issue #164
June 2026
EditorialEditors
Alcatraz as Image: The Trumpian Politics of Carceral SpectacleMartabel Wasserman
Architectures of Amnesia: Donald Judd and America’s “Forgotten War” in KoreaAndrew Sungtaek
The Algorithm and the Antichrist: Political Theology at the Sunset of Silicon ValleyGiorgio Cesarale and Matteo Pasquinelli
Do Androids Dream of AGI?Vinícius Portella
Against the Clock: Remote Work, Stolen Sleep, and the Limits of ExtractionElvia Wilk
Thank God Science Is Queer NowAldo Kempen
Fire Tribes and Stateless Worlds: A ConversationBima Satria Putra and David Wengrow and Stevphen Shukaitis
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 1Nato Thompson and Claire Pentecost and Brooke Singer and David Garcia and Rich Pell and Lucas Fortunato
Remembering Steve Kurtz (1958–2025) of Critical Art Ensemble, Part 2Nicola Triscott and Lynn Hershman Leeson and Samuel Ashford and Doug Ashford and Julie Ault and Trevor Paglen
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Architecture
e-fluxAnnouncement2026-11-05
Nieuwe Instituut
Yassine Salihine to curate the Dutch Pavilion at 2027 Venice Architecture Biennale
e-fluxAnnouncement2026-11-04
e-flux Architecture /Columbia University Graduate School of Architecture, Planning and Preservation
Celebrating 10 years of e-flux Architecture
e-fluxAnnouncement2026-11-04
SCI-Arc
Call for applications: MS Design Theory and Pedagogy
e-fluxAnnouncement2026-11-03
Sharjah Architecture Triennial
Third edition opening programme
e-fluxAnnouncement2026-11-02
Architekturzentrum Wien
Temporary. Structures of Necessity
e-fluxAnnouncement2026-11-01
Korean Pavilion at the Venice Biennale
Catabolism
More
Education
November 5, 2026
University of Fine Arts Münster
W3-Professorship Textile Practices
November 5, 2026
School of the Art Institute of Chicago
Programs in Curatorial Practices, Arts Administration, and Art History
November 5, 2026
Institute Art Gender Nature, Basel Academy of Art and Design FHNW
“The Question of Class: Art Labor and Class Erasure”
November 4, 2026
University of Texas at San Antonio
MFA in Community Arts
More
Books
e-fluxSeptember 4, 2026
The Cis Gaze and its others
McKenzie Wark
e-fluxSeptember 1, 2026
Towards a New Universalism
Boris Groys
e-fluxSeptember 1, 2026
After the Kino-Eye: An e-flux Film Reader
e-fluxAugust 12, 2026
Forms of Non-Belonging
Pelin Tan
e-fluxDecember 6, 2025
Cream Psychosis
Mary Walling Blackburn
e-fluxNovember 24, 2025
Séance: Technology of the Spirit
e-fluxSeptember 12, 2025
Theory of Seeing
Władysław Strzemiński
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