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Conversations with some of the most engaged artists and thinkers working today. Available for subscription on Apple Podcasts, Spotify, and SoundCloud.

Transcripts are available on request, email podcast@e-flux.com for further information.

Producers
Erin Ferro-Murray
Keli Maksud
Contact
podcast@e-flux.com

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        May 9, 202500:45:19
        e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: ...


        e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts ...
        Coleman Collins on The Upper Room and Specular Fiction
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        March 24, 2025
        This conversation between curators Ebony L. Haynes, Thomas (T.) Jean Lax, and K.O. Nnamdie was initiated alongside an essay series in e-flux journal titled “After Okwui Enwezor,” edited by Serubiri Moses. The episode begins with three short audio excerpts from [1] On the Politics of Disaggregation: Notes on Cildo Meireles' Insertions into Ideological Circuits—Parsons The New School for Design [2] Postwar: Art between the Pacific and the Atlantic, 1945–1965—Fondation Giacometti [3] Art Dubai Global Art Forum 8: 1955–2055: A ...
        This conversation between curators Ebony L. Haynes, Thomas (T.) Jean Lax, and K.O. Nnamdie was initiated alongside an essay series in e-flux journal titled “After Okwui Enwezor,” edited by Serubiri Moses.

        The episode begins with three short audio excerpts from [1] On the Politics of Disaggregation: Notes on Cildo Meireles' Insertions into Ideological Circuits—Parsons The New School for Design [2] Postwar: Art between the Pacific and the Atlantic, 1945–1965—Fondation ...
        “After Okwui Enwezor”: Ebony L. Haynes, T. Lax, K.O. Nnamdie
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        January 24, 202500:30:39
        This episode was recorded live at e-flux on September 19, 2024. The event, hosted by the African Film Institute, featured a screening of Lumumba (2000, 115 minutes) by Haitian director Raoul Peck, followed by a conversation between Feza Kayungu Ramazani of Centre D’art Waza and anthropologist Natacha Nsabimana. Feza Kayungu Ramazani is an artist and researcher based in Lubumbashi. She is a member of the Power to the Commons project and Another Roadmap of Arts Education Africa Cluster (ARAC), which ...
        This episode was recorded live at e-flux on September 19, 2024. The event, hosted by the African Film Institute, featured a screening of Lumumba (2000, 115 minutes) by Haitian director Raoul Peck, followed by a conversation between Feza Kayungu Ramazani of Centre D’art Waza and anthropologist Natacha Nsabimana.

        Feza Kayungu Ramazani is an artist and researcher based in Lubumbashi. She is a member of the Power to the Commons project and Another Roadmap of ...
        African Film Institute: Feza Kayungu Ramazani on Lumumba and Centre d’art Waza
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        October 30, 202428:04
        A conversation between artist Samia Halaby and Sanna Almajedi, recorded following a live performance at e-flux on September 10, 2024. For the performance, Halaby used a computer program that she coded in the early ’90s to generate abstract shapes. These were manipulated in real-time alongside sonic improvisation by musician Amir ElSaffar. Samia Halaby is a trailblazer in contemporary abstract art internationally. In her distinctive painting style, Halaby draws inspiration from nature and historical movements such as early Islamic architecture and ...
        A conversation between artist Samia Halaby and Sanna Almajedi, recorded following a live performance at e-flux on September 10, 2024.

        For the performance, Halaby used a computer program that she coded in the early ’90s to generate abstract shapes. These were manipulated in real-time alongside sonic improvisation by musician Amir ElSaffar.

        Samia Halaby is a trailblazer in contemporary abstract art internationally. In her distinctive painting style, Halaby draws inspiration from nature and historical movements ...
        Samia Halaby: Kinetic Painting
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