Issue #104 The Cold War between the Medium and the Message: Western Modernism vs. Socialist Realism

The Cold War between the Medium and the Message: Western Modernism vs. Socialist Realism

Boris Groys

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In 1938, Alphonse Larencic designed cells for captured Francoists that inspired disorientation, depression, and deep sadness. Photograph: Archivo Fotográfico del Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain. Published in Pedro G. Romero, Silo: Archivo F.X. (Museo Nacional Centro de Arte Reina Sofía, 2009)

Issue #104
November 2019










Notes
1

Clement Greenberg, “Avant-Garde and Kitsch,” in Art and Culture (Beacon Press, 1965), 9.

2

Greenberg, “Avant-Garde and Kitsch,” 8.

3

Cited in Max Bill, introduction to Wassily Kandinsky, Über das Geistige in der Kunst (Benteli Verlag, 1952), 10–11.

4

Georg Lukács, Essays on Realism (MIT Press, 1980), 112–13.

5

Andre Breton, “On the Time When the Surrealists Were Right,” in Manifestoes of Surrealism (Ann Arbor Paperbacks, 1977), 243ff.

6

See .

7

Mikhail Lifshitz, The Crisis of Ugliness (Brill, 2018).

This text was originally given as a lecture in the Distinguished Lecture series at the Jordan Center at NYU on October, 10, 2019.