Hideo, It’s Me, Mama​

Mako Idemitsu (b. Tokyo, 1940) creates domestic narratives that examine female identity within the context of the contemporary Japanese family. Echoing and subverting the popular melodramas of Japanese television, she applies a feminist critique to her fictions of the psychological “family romance.” Dramatizing the strict gender roles that shape mother-child and husband-wife relationships, she explores the role of women in a patriarchal, mediated culture. Her work is in the permanent collections of numerous museums, including the Fukuyama Museum, Tokyo, and The Museum of Modern Art, New York. Idemitsu has exhibited her works widely throughout Japan and internationally at festivals and institutions including Los Angeles Contemporary Exhibitions (LACE); Ottawa National Gallery, Canada; the National Museum of Art, Osaka, Japan; Centre Georges Pompidou, Paris; Venice Biennale; Asian-American International Video Festival, New York; Festival du Nouveau Cinema et de la Video, Montreal; Documenta 8, Kassel, Germany; and the Academy of Art, Honolulu. She lives in Tokyo.