Rita Mawuena Benissan: One Must Be Seated

Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) presents One Must Be Seated, a solo exhibition by Ghanaian-American artist Rita Mawuena Benissan. Deeply rooted within her Ghanaian culture, Benissan’s practice has particular focus on the reimagining of the royal umbrella and stool, symbols of Akan chieftaincy. The exhibition explores the enstoolment of a prospective chief, akin to coronation; a call to take their rightful seat in the stool that has been chosen for them. The exhibition opens Wednesday, 13 November 2024 on Level 3, Silo Side of the museum, and runs until 5 October 2025.  

Through tapestry, sculpture, photography and video, Benissan’s work highlights and celebrates the rich traditions of Ghanaian culture, with a focus on Asante customs. The royal umbrella has been used since at least the 17th century, it transforms the individual underneath it, attributing significant status. Different sizes, colours, and unique gold totems that crown the umbrella canopy are seen as they move with the court in lively procession. Under the umbrella, the chief and his thoughts are hidden from the heavens above, prohibiting even God from accessing them.  

Benissan delicately reimagines this cultural object through the use of the archive. As we see in works like The Triumphant King Rules (Ɔhene a wadi Nkonim No Di Tumi) (2023) portraits of past chiefs are embedded within the fabric of the umbrella which is traditionally made with woven Kente cloth and reinterpreted in rich velvet by the artist. Her works are made by the same craftsmen who make the royal umbrellas for the palace in Kumasi, the Asante capital. By intentionally naming these artisans as collaborators, the artist honours the hands that uphold the traditions of the chieftaincy. 

“The exhibition layout simulates the enstoolment tradition with each successive gallery symbolising a stage in the process,” explains Beata America, the curator of One Must Be Seated, and Assistant Curator at Zeitz MOCAA. Prompted by the new film, One Must Be Seated (2024), from which the exhibition takes its title, you are invited to be nominated and confronted by the ancestors. “Have you not seen the seat that we made for you? You were made to be seated.” Walking through, one passes the palace at dusk, depicted in an intricately woven tapestry, We Process at Sunrise (2024); receives a powerful affirmation of growth and renewal in the green shades of We Give Power to You (2024), another umbrella work; and is ultimately led to the final golden throne. America adds: “It will embrace its chosen, sealing the bond between leader and legacy. When the time comes, will you be open to receive the call?”  

Benissan was born in Abidjan, Cote D’Ivoire in 1995 to Ghanaian parents. Her journey led her to the United States as a baby, where she earned a Bachelor of Fine Arts degree in Apparel and Textile Design from Michigan State University in 2017, followed by a Master of Fine Arts in photography and an African Studies Program Certificate from the University of Wisconsin-Madison in 2021. Rita’s works have been acquired by private and institutional collections, including Foundation H, The Dean Collection, Fundacion Yannick Y Ben, Paola Pavirani Golinelli, Nicolas Berggruen, Amoako Boafo, and many others.

One Must Be Seated forms part of an ongoing series of in-depth, research-based solo exhibitions by Zeitz MOCAA that bring into focus and contextualise the practices of important artists from Africa and the Diaspora, and those whose work focuses on seminal topics in the African present. 

Zeitz MOCAA’s exhibition and curatorial programming is generously supported by Gucci, the Mellon Foundation, and BMW South Africa.