Matthew Plummer-Fernandez
Hard Copy

Matthew Plummer-Fernandez
Hard Copy

NOME

Matthew Plummer-Fernandez, Every Mickey, 2015. Render of 3D model file.
November 2, 2015

Matthew Plummer-Fernandez
Hard Copy

7 November–23 December 2015

Opening: 6 November, 6pm

NOME
Dolziger Straße 31
10247 Berlin
Hours: Tuesday–Saturday 3–7pm

info [​at​] nomeproject.com

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NOME Gallery is pleased to present Hard Copy, Matthew Plummer-Fernandez’s first solo show.

Long fascinated by the resilience of pop icon shapes, Plummer-Fernandez expands on his ideas about illusory images, material, and copyright to generate a new version of familiar faces.

Plummer-Fernandez shows a series of new sculptures and prints that challenge our notion of an object, insofar as they are works generated from the same code but represented in different forms.

The four sculptures on view are derived from 3D models of popular cartoon characters that the artist found online and remixed in order to obtain a new version of these pop icons: Every Mickey, Merge Simpson, Gogogogogoku, and Spongebool are new forms of these popular cartoon characters.

As writer Joanne McNeil describes them: “Every shape seems to be contorted to the very precipice of an unrecognizable state. Any additional pixelation or pinching would subject the forms to the myriad possibilities of the viewer’s imagination.”

The prints are generated by converting the 3D model into an image file, a process which also serves to conceal the original source. The 3D model’s geometry is mapped onto a color range, resulting in a colorful flat surface that represents the character. By creating different forms from the same code, Plummer-Fernandez questions the inner nature of an object, disputing the relationship between a genotype and a phenotype.

British-Colombian artist Matthew Plummer-Fernandez produces altered data files and distorted 3D printed objects as “remixed” abstract artworks of geometric beauty. Customized software, replicability, and generative techniques are the focus of his explorations of the automated systems operating within digital culture and the physical world. Plummer-Fernandez’s artworks have been presented in group shows at international art institutions and festivals such as The Nieuwe Instituut, Rotterdam; Musée d’art contemporain de Montréal; Ars Electronica, Linz; and FACT Liverpool. He received the Award of Distinction at the Prix Ars Electronica in 2014.

Matthew Plummer-Fernandez lives and works in London.

NOME
Founded in 2015, NOME operates between art, politics, and technology.
By exploring the nodes of entanglements between these fields, NOME aims to raise critical awareness of the crucial issues facing our age.

For further information and sales inquiries, please contact Luca Barbeni or Manuela Benetton at info [​at​] nomeproject.com.
For press and media inquiries, please contact Tabea Hamperl at press [​at​] nomeproject.com.

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November 2, 2015

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