Laurent Grasso
Soleil Noir

Laurent Grasso
Soleil Noir

Fondation d’entreprise Hermès

Laurent Grasso, Studies into the past (detail). Triptych,
oil on wood panel, 195 x 125 x 2.3 cm. Courtesy of the artist and
Edouard Malingue Gallery.
November 3, 2015

Laurent Grasso
Soleil Noir

November 11, 2015–January 31, 2016

Opening: November 10, 6–8pm

Fondation d’entreprise Hermès
Ginza Maison Hermès Le Forum
8F, 5-4-1 Ginza, Chuo-ku
Tokyo 104-0061
Japan

fondationdentreprisehermes.org

Laurent Grasso will present his first major solo exhibition in Japan, Soleil Noir, produced in partnership with the Fondation d’entreprise Hermès, at Ginza Maison Hermès Le Forum, Tokyo.

A leading conceptual artist, Laurent Grasso (b. France) has consistently engaged epistemology, addressing in particular one’s perception of time. In many instances, his works originate from research into historical or scientific documents, subsequently evolving into portrayals of mystical events, legends, supernatural phenomena and other captivating subject matter. Across a variety of mediums, from painting to video, Grasso probes our notions of temporality, suggesting that what we visually retain is intrinsically tied to our personal consciousness. A mix of the past, present and future, moving back and forth between reality and fiction, Grasso has been widely acclaimed for his works that serve as an apparatus for viewing the world through different lenses, unveiling new histories in bold and elaborate pictures.

Soleil Noir presents a new body of work, ranging from sculpture and neon to video and painting, that engages with cosmic energy and portrayals of the sublime, whilst also integrating elements of Grasso’s recent research on Japan. Following from a previous work, the “Black Sun” motif is repeated, an element that neutralises time whilst posing perennial riddles. When conducting his studies in Japan, Grasso found himself inspired by dogu (clay figures), Noh masks, gold-leaf-covered folding screens and other traditional Japanese expressions. Running through the exhibition are works that incorporate these features, whilst combining them with images from Medieval Europe. Further works, ranging from gold screens to sculpture, reflect upon supernatural legends spurred during the Edo period, weaving mysterious Japanese architectural structures within their narrative. Melded into a reformulated framework of the exhibition space through the insertion of wooden panels, Grasso prompts a reflection on the surrounding architecture whilst building a dialogue around geographical, historical and literary exchange, evoking a passage of time.

Laurent Grasso has held residencies at the Villa Medicis, Rome and ISCP, New York. In 2015 he was awarded the esteemed Order of Arts and Letters by the French Ministry of Culture, and in 2008 was awarded the prestigious Marcel Duchamp prize. Grasso has upcoming exhibitions at MASS MoCA, USA and Pompidou-Metz, France. Furthermore, he was recently the focus of Uraniborg, a major solo exhibition at the Jeu de Paume, Paris, which travelled to the Museum of Contemporary Art, Montreal and was the subject of solo shows at the Kunsthaus Baselland, Basel and Bass Museum, Miami. Grasso’s work has been featured in multiple publications, including Architecture Now! (Taschen) and Soleil Double (Dilecta/Galerie Perrotin), to be released in December 2015. Moreover, his work is held in collections around the world, including the Centre Pompidou, Paris, Mori Art Museum, Tokyo, and Leeum, Samsung Museum, Seoul.

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November 3, 2015

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