Given the current political situation in Turkey, I wouldn’t have been surprised if the curators of this year’s Istanbul Biennial, Berlin-based artist duo Michael Elmgreen and Ingar Dragset, and IKSV, the corporate-funded foundation organizing the event, had decided to call the whole thing off. Since its first edition in 1987, the biennial has weathered numerous crises in Turkey. But this time, things are especially grim: in the wake of the attempted coup in July 2016, political purges have antagonized the country under the authoritarian rule of President Erdoğan. Tens of thousands of university teachers, hospital doctors, and judges have been dismissed while not only dozens of members of parliament have been imprisoned, but also hundreds of journalists. Artists have also been targeted, usually based on sweeping allegations ranging from insulting the president to supposedly supporting Kurdish terrorism: in March, the painter Zehra Doğan was sentenced to two years and ten months in prison for a picture in which she painted Turkish flags on buildings destroyed by the Turkish army in the Mardi province, a Kurdish region of Turkey; and in August the writer Doğan Akhanlı, who is a German citizen, was briefly detained in Spain due to an Interpol warrant …