Love and Time: A screening of Anocha Suwichakornpong’s Come Here
Getting Closer: Films by Daniel Jacoby
The Summer of the Swans
We use the gaps and the pauses as ways to think more clearly and more effectively with one another and by way of one another and past the separation of one and another. There’s a rhythm. Definitely. But it’s an irregular rhythm. And not only irregular compared to some metronomic norm but irregular in being overpopulated. The beautiful thing about the polyrhythm is that even though it’s just the two of us, as Bill Withers and Grover Washington Jr. would say, it’s way more than that. Not only our parents, our families, our partners, and the various children in our lives, but also all these other people that we’re always working with and talking with and thinking with and reading with. There’s always a lot of sound in our head, and in our hands, too.