57 documents
e-flux Criticism
Posted: March 29, 2021
Subjects
Money & Finance, Cryptocurrency & Blockchain, Dematerialization
Tallinn Art Hall
Call for applications 2021/22
e-flux Announcement
Posted: February 9, 2021
Category
Internet
Subjects
Artistic Research , Dematerialization
Institution
MAK Center for Art and Architecture
Nazgol Ansarinia, Margarethe Drexel, Lexis-Olivier Ray, and Yan Tomaszewski: DEMO
Architecture Announcement
Posted: November 20, 2020
Subjects
Housing & Real Estate, Libraries & Archives, Dematerialization
Institution
e-flux Criticism
Posted: November 19, 2020
Subjects
Temporality, Memory, Dematerialization
Museum of Architecture and Design (MAO), Ljubljana
Future Architecture Rooms
Architecture Announcement
Posted: October 13, 2020
Category
Internet, Architecture
Subjects
Dematerialization
Lucerne University of Applied Sciences and Arts Engineering and Architecture
Fall 2020 online lecture series
Architecture Announcement
Posted: September 24, 2020
Category
Interviews & Conversations
Subjects
Materialism, Dematerialization
Architectures of Education
Distributed Learning
Mark Jarzombek
Architecture Essay
Posted: March 18, 2020
Category
Capitalism, Technology
Subjects
Academia, Knowledge Production, Dematerialization, Networks
e-flux Criticism
Posted: September 6, 2019
Category
Labor & Work
Subjects
Withdrawal, Dematerialization, Exhibition Histories
Centre d’Art Contemporain Genève
Hreinn Friðfinnsson: To Catch a Fish with a Song: 1964–Today
e-flux Announcement
Posted: May 14, 2019
Category
Nature & Ecology
Subjects
Landscape, Dematerialization
Institution
Dimensions of Citizenship
Effortless Slippage
Ingrid Burrington
Architecture Essay
Posted: May 25, 2018
Category
Technology, Data & Information
Subjects
Maps, Networks, Infrastructure, Dematerialization
Kunsthalle Wien
Ineke Hans. Was ist Loos?
e-flux Announcement
Posted: September 25, 2017
Category
Design, Technology
Subjects
Dematerialization
Institution
Royal Institute of Art in Stockholm
Curating NoThing. On Notions of Dematerialization in the Exhibition Context
e-flux Announcement
Posted: September 3, 2017
Category
Education, Theater, Dance, Performance
Subjects
Curating, Knowledge Production, Dematerialization
Institution
Kunsthalle Zürich
Cheryl Donegan: My Plastic Bag / John Russell: DOGGO
e-flux Announcement
Posted: August 18, 2017
Category
Painting, Film, Drawing, Sculpture
Subjects
Video Art, Dematerialization
Institution
e-flux Criticism
Posted: July 13, 2017
Subjects
Water & The Sea, Geography, Maps, Dematerialization
Espace Louis Vuitton München
Ian Cheng: EMISSARY FORKS featuring THOUSAND ISLANDS
e-flux Announcement
Posted: April 18, 2017
Category
Technology
Subjects
Algorithms, Animation & Cartoons, Dematerialization, Artificial intelligence, Storytelling, Temporality
Institution
Shanghai Ming Contemporary Art Museum
Proposals to Surrender
e-flux Announcement
Posted: December 19, 2016
Category
Music, Performance
Subjects
China, Dematerialization, Exhibition Histories
Institution
The National Museum of Art, Osaka
THE PLAY since 1967: beyond unknown currents
e-flux Announcement
Posted: November 29, 2016
Category
Performance
Subjects
Retrospective, Japan, Dematerialization, Conceptual & Post-Conceptual Art, Everyday Life
Institution
Kunsthaus Bregenz
Lawrence Weiner: WHEREWITHAL | WAS ES BRAUCHT
e-flux Announcement
Posted: November 25, 2016
Category
Language & Linguistics, Sculpture
Subjects
Dematerialization, Conceptual & Post-Conceptual Art, Minimalism & Post-Minimalism
Institution
Pulitzer Arts Foundation
Medardo Rosso: Experiments in Light and Form
e-flux Announcement
Posted: November 8, 2016
Category
Sculpture
Subjects
Retrospective, Dematerialization, Light Art, Minimalism & Post-Minimalism
Institution
Superhumanity
Spatial Thought
Daniel Birnbaum and Sven-Olov Wallenstein
Architecture Essay
Posted: November 7, 2016
Category
Postmodernism, Philosophy
Subjects
Exhibition Histories, Materialism, Sublime, Dematerialization
# 77
Digital Provenance and the Artwork as Derivative
McKenzie Wark
The artwork is now a derivative of its simulation. Of course there are many different kinds of simulations. It could be the JPEG of a particular work sent by a dealer to a collector, attached to a text message. The collector reads the text, looks at the JPEG, makes a decision about the artwork. But actually, the artwork is a derivative. It was the JPEG that mattered, as it is the JPEG on which the transaction depends. The collector might decide to buy or not buy the work, to reserve it, to see it later in person, and so on. As in other fields, the main thing traded here is the derivatives. The simulations are not worth much at all, or are such poor images that they might as well be free gifts.
e-flux Journal
Posted: November 3, 2016
Category
Economy, Data & Information
Subjects
Art Market, Money & Finance, Dematerialization
Museum of Contemporary Art Antwerp (M HKA)
Robert Filliou: The Secret of Permanent Creation
e-flux Announcement
Posted: October 11, 2016
Category
Performance, Theater, Language & Linguistics
Subjects
Retrospective, Fluxus, Dematerialization
Institution
e-flux Announcement
Posted: October 7, 2016
Category
Economy, Nature & Ecology
Subjects
Wealth & Inequality, Dematerialization
Institution
Columbia University Graduate School of Architecture, Planning and Preservation
The Other Architect
e-flux Announcement
Posted: September 16, 2016
Category
Architecture, Postmodernism
Subjects
Dematerialization
Eye Filmmuseum
Celluloid
e-flux Announcement
Posted: September 13, 2016
Category
Film
Subjects
Dematerialization, Memory
Institution
Centre d’art contemporain La Halle des bouchers
Juliette Goiffon & Charles Beauté: Muda, Muri, Mura
e-flux Announcement
Posted: June 19, 2016
Category
Technology
Subjects
Dematerialization, Networks, Systems Theory
Institution
Kunsthalle Wien
L’Exposition Imaginaire
e-flux Announcement
Posted: April 14, 2016
Category
Internet
Subjects
Dematerialization
Institution
Kunstverein in Hamburg
FLUIDITY
e-flux Announcement
Posted: January 30, 2016
Subjects
Dematerialization, Conceptual & Post-Conceptual Art
Institution
# 61
Is it Heavy or Is it Light?
Brian Kuan Wood
Even if we are to resign ourselves to thinking of artworks as produced by structural or economic conditions, we end up bumping into a larger problem of having a hard time locating the way structural or economic conditions actually work today. Maybe we are still inside the long historical tail of institutional critique trying to identify coercive structures when actually most of the institutions have already been defunded. Or maybe it’s a new formal regime altogether, amplifying Lippard’s…
e-flux Journal
Posted: January 1, 2015
Category
Contemporary Art, Labor & Work, Economy, Capitalism
Subjects
Dematerialization, Conceptual & Post-Conceptual Art, Money & Finance, Spectacle
# 58
Designs for a New World
McKenzie Wark
The sort of things that get called “art” these days exist on a continuum which, if it keeps stretching, will probably break. On one end, art becomes a kind of financial instrument based on singularizing money into an “object” that can have provenance. It can be any kind of object—conceptual, imaginary—all that matters is that there is a document stating who bought it from who. Mind you, pictures work particularly well as such instruments, particularly if they look good in the .jpeg sent to…
e-flux Journal
Posted: October 1, 2014
Category
Labor & Work, Technology
Subjects
Art Market, Money & Finance, Post-capitalism, Dematerialization