Utilizing computer-generated images, animation, and avatars, Sondra Perry’s videos, performances, and installations foreground digital tools as a way to critically reflect on new technologies of representation and to remobilize their potential. By revealing the calibration, protocols, and algorithms inherent within technology, she interrogates the connection between technology and the black body, striving to form a corrective against technology’s unreflective naturalization. Perry’s exhibitions include Disguise: Masks and Global African Art, Seattle Art Museum, Seattle, 2015; A Curious Blindness, Miriam & Ira D. Wallach Art Gallery, New York (2015); Of Present Bodies, Arlington Arts Center, Arlington VA (2014), and an appearance in the fourth iteration of the Greater New York exhibition at MoMA PS1 (2015). The artist’s works have been screened at venues such as Les Voutes, Paris, France; Light Industry, New York; Video Art and Experimental Film Festival, Tribeca Cinemas, New York; Lu Xun Academy of Fine Arts Museum, Shenyang, China; and LOOP Barcelona Media Arts Festival among others.