33 documents
Saidiya Hartman Read Bio Collapse
Saidiya Hartman Read Bio Collapse
Saidiya Hartman is the author of Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Oxford, 1997), Lose Your Mother: A Journey Along the Atlantic Slave Route (Farrar, Straus & Giroux, 2007), and Wayward Lives, Beautiful Experiments (Norton, 2019). She is currently at work on a new book project, N Folio: An Essay on Narrative and the Archive. She was awarded a MacArthur Fellowship in 2019.
Kunstverein München e.V.
200th anniversary program
e-flux Announcement
Posted: April 26, 2023
Category
Performance
Subjects
Libraries & Archives, Publications
Institution
Academy of Fine Arts Vienna
PhD in Practice program
e-flux Education
Posted: January 11, 2023
United States Pavilion at the Venice Biennale
Loophole of Retreat: Venice
e-flux Announcement
Posted: October 6, 2022
Category
Colonialism & Imperialism
Subjects
Slavery, Blackness, Health & Disease
Institution
Columbia University Graduate School of Architecture, Planning and Preservation
Fall 2022 public programs
Architecture Announcement
Posted: September 8, 2022
Subjects
Academia, Climate change, Wealth & Inequality
Miriam and Ira D. Wallach Art Gallery at Columbia University
Dead Lecturer / distant relative: Notes from the Woodshed, 1950–1980
e-flux Education
Posted: August 2, 2022
United States Pavilion at the Venice Biennale
Simone Leigh: Sovereignty
e-flux Announcement
Posted: April 21, 2022
Category
Sculpture, Bodies
Subjects
Blackness, Africa, Black Feminism
Institution
e-flux Criticism
Posted: April 5, 2022
Category
Bodies, Indigenous Issues & Indigeneity
Subjects
Biennials, Blackness, USA, Crisis
Academy of Fine Arts Vienna
PhD in Practice program
e-flux Education
Posted: January 12, 2022
State of Concept
Kapwani Kiwanga: Deposits
e-flux Announcement
Posted: December 13, 2021
Category
Nature & Ecology
Subjects
Memory, Racism, Plants & Forests
Institution
International Center of Photography
The Lives of Images Symposium Series, Volume 2
e-flux Announcement
Posted: November 18, 2021
Category
Image, Photography
Institution
e-flux Announcement
Posted: October 27, 2021
Subjects
Blackness, Afropessimism
Institution
Triennial of Photography Hamburg
Symposium: Lucid Knowledge
e-flux Announcement
Posted: September 27, 2021
Category
Image, Photography
Subjects
Use Value & Exchange Value, Ethics
Institution
Kunsthall Trondheim
Frida Orupabo: How did you feel when you come out of the wilderness
e-flux Announcement
Posted: September 23, 2021
Category
Image
Subjects
Collage, Blackness, Mass Media & Entertainment
Institution
Triennial of Photography Hamburg
Currency: 8th Triennial of Photography Hamburg 2022
e-flux Announcement
Posted: July 8, 2021
Category
Photography, Image
Subjects
Knowledge Production
Institution
e-flux Education
Posted: July 7, 2021
Kunstenfestivaldesarts
Kunstenfestivaldesarts 2021
e-flux Announcement
Posted: May 8, 2021
Category
Theater, Music, Performance, Installation
Institution
e-flux Announcement
Posted: February 16, 2021
Subjects
Blackness, Death, Storytelling
Institution
Academy of Fine Arts Vienna
PhD in Practice program
e-flux Education
Posted: February 1, 2021
Nieuwe Instituut
Out now: I See That I See What You Don’t See
Architecture Announcement
Posted: December 22, 2020
Subjects
Color, Queer Art & Theory, Publishing, Science
Institution
e-flux Announcement
Posted: December 16, 2020
Category
Indigenous Issues & Indigeneity, Education, Gender
Institution
California Institute of the Arts (CalArts)
MA Aesthetics and Politics program seeks applications
e-flux Education
Posted: November 12, 2020
e-flux journal
as we await the election results…
e-flux Announcement
Posted: November 5, 2020
Institution
Kunstraum Niederoesterreich
Annual exhibition program 2020
e-flux Announcement
Posted: February 29, 2020
Category
Race & Ethnicity, Nature & Ecology, Data & Information
Institution
Academy of Fine Arts Vienna
Call for applications for PhD in Practice Program 2020
e-flux Education
Posted: January 31, 2020
# 105
Extended Notes on the Riot
Saidiya Hartman
How does one convey the beauty of the gathering and how she brings us together? How she does what she does and what unfolds inside the circle? What has she been called to bear for all of us? Refuge is to be found in a skirt of raffia, in a rampart of clay. Simone Leigh’s hands have created a world, have disrupted and evaded the dominant economy of the gaze, not by opposition or protest, not by explaining anything, but by looking otherwise, by retreating within, by a radical withholding that makes visible and palpable all that is held in reserve—all that power, love, brilliance, labor, and care. All that beauty.
e-flux Journal
Posted: December 10, 2019
Category
Literature, Music
Subjects
Black Feminism, Blackness
Berkeley Art Museum and Pacific Film Archive (BAMPFA)
Feminist Art Coalition
e-flux Announcement
Posted: November 5, 2019
Category
Feminism
Subjects
Immaterial Labor
California Institute of the Arts (CalArts)
Call for applications for fall 2020: MA Aesthetics and Politics
e-flux Education
Posted: October 2, 2019
Institute of Contemporary Art at the University of Pennsylvania (ICA)
Colored People Time
e-flux Announcement
Posted: August 27, 2019
Category
Labor & Work
Subjects
Temporality, Blackness
Institute of Contemporary Art at the University of Pennsylvania (ICA)
Colored People Time
e-flux Announcement
Posted: January 15, 2019
Vera List Center for Art and Politics
International Biennial Vera List Center Prize for Art and Politics Conference 2016–18
e-flux Education
Posted: October 21, 2017