Pierre Huyghe (born in 1962, Paris) lives and works in New York. His works often present themselves as situated networks, a continuity between a wide range of intelligent life forms (biological, technological) and matter that learn, modify, and evolve. They are immersive, contingent and constantly changing environments. They are sites of possibility, excess of fiction, indeterminate and indifferent to categories and witnesses. For several years, Huyghe’s works have investigated alternatives to the human perspective in the manner of Untilled (Documenta 13, 2012) and Untitled (Human Mask) (2014). His work has been presented in various exhibitions around the world, and he has received a number of awards, including the Nasher Sculpture Prize (2017); Kurt Schwitters Prize (2015); Roswitha Haftmann Award (2013), the Smithsonian Museum’s Contemporary Artist Award (2010), the Hugo Boss Prize, Guggenheim Museum (2002), the Special Award from the Jury of the Venice Biennale (2001), and a DAAD in Berlin (1999-2000). Most recently, he was appointed Artistic Director of the Okayama Art Summit 2019. His recent exhibitions include After UUmwelt, Luma Foundation, Arles (2021); UUmwelt, Serpentine Gallery, London (2018); and The Roof Garden, Metropolitan Museum, New York (2015). In 2012-2014, a major retrospective of Huyghe’s work travelled from the Centre Pompidou (Paris) to the Ludwig Museum (Germany) and to Los Angeles County Museum of Art (USA).