Maya Deren (b. April 29, 1917, Kyiv, Ukraine – d. October 13, 1961, New York City, USA) was an influential American experimental filmmaker, choreographer, and theorist, known for her pioneering work in avant-garde cinema. She emigrated with her family to the United States in 1922. Deren began her artistic career in dance and choreography, which deeply influenced her cinematic style. Her first and most famous film, Meshes of the Afternoon (1943), co-directed with Alexander Hammid, is celebrated for its innovative use of dream imagery and non-linear narrative, making it a cornerstone of experimental film. Deren’s subsequent works, including At Land (1944), A Study in Choreography for Camera (1945), and Ritual in Transfigured Time (1946), further developed her exploration of the relationship between movement, time, and space. She was also a significant advocate for independent filmmaking, establishing the Creative Film Foundation in 1954 to support emerging filmmakers. Throughout her career, Deren’s contributions to film theory and her visionary approach to cinema earned her recognition as a key figure in the history of avant-garde film.