I think the other word to add to “resonance” and “vignette” and “dirty,” would be “score.” All of those words in themselves form part of the score, and then they are the actual larger score of that score. “Momentum” should sound like a gallop, for example. We imagined our reader to be essentially always a listener. From the gallop, the noise starts to come in and take over, and in “vibration” you’re shaken into sounds. The idea is to feel each of the words as they join one another, but also how they live singularly; the word “vignette” is one way for us to think of how to metaphorically play with the traps of representation mobilized by words, categories, colonial forms. In doing so, we were also trying to think about the borderless, the leaking frame. Or, how do you leak out of the frame, how do you move beyond it? We really wanted the vignettes to be edgeless. What would this all mean in terms of tempering the collective ear?