Grada Kilomba Read Bio Collapse
Grada Kilomba is a interdisciplinary artist and writer, born in Lisbon and living in Berlin. Her work draws on memory, trauma, race, gender, and the decolonization of knowledge. She is the author of Plantation Memories (2008) a compilation of episodes of everyday racism written in the form of short psychoanalytical stories; and the coeditor of Mythen, Masken und Subjekte (2005), an anthology on Critical Whiteness Studies. Her artworks have been presented internationally at the 10th Berlin Biennale; Documenta 14; the 32nd Bienal de São Paulo; Rauma Biennal Balticum; Art Basel; Frieze London; Cape Town Art Fair; and the 1-54 Contemporary African Art Fair, Marrakech, among others.
Digital PTSD: The Practice of Art and Its Impact on Digital Trauma
Grada Kilomba is a interdisciplinary artist and writer, born in Lisbon and living in Berlin. Her work draws on memory, trauma, race, gender, and the decolonization of knowledge. She is the author of Plantation Memories (2008) a compilation of episodes of everyday racism written in the form of short psychoanalytical stories; and the coeditor of Mythen, Masken und Subjekte (2005), an anthology on Critical Whiteness Studies. Her artworks have been presented internationally at the 10th Berlin Biennale; Documenta 14; the 32nd Bienal de São Paulo; Rauma Biennal Balticum; Art Basel; Frieze London; Cape Town Art Fair; and the 1-54 Contemporary African Art Fair, Marrakech, among others.
Journeys with the initiated at e-flux and Participant Inc