Dena Yago Read Bio Collapse
Dena Yago is an artist who was born in 1988. She has had numerous gallery and museum exhibitions, including at the Museum of Modern Art in Warsaw and at Bodega in New York.
Beyond serving as rich material for social-media posts, the images produced at Selfie Walls also have a more nefarious technological function, which has implications for everything from surveillance to the creation of deep-fake images. The photographers taking photos at Selfie Walls are concentrated on the camera phone, and the camera phone is purely a pretext for the realization of that tool’s possibilities in relation to creating images of the self. The images created at these walls, which are tightly cropped and devoid of context, do not orient people in the world. Instead they erase the world, creating a hybrid space that is part physical and part virtual as it circulates on social media. These images are created in order to orient the subject with their projected self-image, while simultaneously making the projected self-image legible to artificial-intelligence programs.
What is an artist to do? With an understanding of how our content, identities, and influence are valuable to and instrumentalized by brands and marketers, we can find space for resistance and refusal, or we can actively engage with existing models in an effort to ameliorate them. While it might seem like the only options are to ramp up your posting with accelerationist fervor, or delete your account, there are tactics to be learned from internet trolls, the alt-right, and institutional critique that can open space for effective critique and resistance.
Trend reports are a vehicle for identifying emerging behaviors and the forces that motivate them. We issued our own because we wanted our community of peers to be aware of the strategies that were being used on them as consumers, and that they were parroting back in their own artistic and creative practices. Trend forecasting is a form of armchair sociology that identifies how consumers respond to global sociopolitical and environmental change through pattern recognition. Trends are less about seasonal colors, and more about consumers’ crisis response. Our thought was that the more people are aware of these strategies, the more they can develop tactics based on those strategies and use them towards their own ends, whether in their studio practice or in their plan for survival on earth.
e-flux journal series at REDCAT—#1
“Decoding Curating”
Federico Sargentone