Claire Tancons Read Bio Collapse
Claire Tancons is a curator and scholar invested in the discourse and practice of the postcolonial politics of production and exhibition. Tancons was recently a curator for Sharjah Biennial 14: Leaving the Echo Chamber with Zoe Butt and Omar Kholeif. She is also currently the recipient of a Creative Capital | Andy Warhol Foundation Arts Writers Grant for her book Roadworks on processional performance.
Art has become completely self-indulgent, totally in love with and surrendering to images and information. I think the problem of art today is that it hasn’t found very convincing answers to the dream life of the World Wide Web. Mimicry is not enough. I remember T. J. Clark preaching that. When it comes to my métier, the creation of complex images, I have the feeling that resistance must take strange paths and go far beyond any iconoclastic impulse. Saying “no” means to radiate negativity towards all sides, in order to save some positivity that isn’t just self-absorbing. I find it important to close certain windows now. For example, I don’t want to give away too much information about the alchemy of layering. This isn’t about self-censoring or mystifying, it’s about salvaging aesthetic substance that has become too fragile. My job is trying to become silent, for only silence cannot be censored.