8 documents
Anne Anlin Cheng Read Bio Collapse
Anne Anlin Cheng Read Bio Collapse
Anne Anlin Cheng is Professor of English and African American Literature at Princeton University. She specializes in twentieth-century literature and visual culture.
Sam Fox School of Design & Visual Arts at Washington University in St. Louis
Public lecture series
e-flux Education
Posted: January 31, 2022
Category
Lecture
e-flux journal
e-flux journal issue 120
e-flux Announcement
Posted: September 8, 2021
Category
War & Conflict
Subjects
Terrorism, USA
Institution
e-flux Education
Office Hours: Simon Leung: University of California, Irvine
e-flux Education
Posted: July 29, 2021
Solomon R. Guggenheim Museum
Double US book launch: Duty Free Art and Supercommunity
e-flux Announcement
Posted: January 5, 2018
Category
Interviews & Conversations, Surveillance & Privacy, Data & Information, Technology, Museums, Utopia
Subjects
Money & Finance, Publications, Freeports
Institution
In more than 60 texts, first published on-site at 56th Venice Biennale, artists and writers trace the negative collective that is the subject of contemporary life.
e-flux Books
Posted: December 1, 2017
Category
Technology, Internet, Contemporary Art, Utopia, Surveillance & Privacy, Nature & Ecology, Migration & Immigration, Labor & Work, Globalization
Subjects
Biennials, Networks, Post-Internet, Contemporaneity, Anthropocene, Apocalypse , Art Criticism, Transhumanism, Cosmism, Social Media, Science Fiction, Psychogeography, Postcolonialism, Ontology , Nihilism , Knowledge Production, Internet Art, Institutional Critique, Immaterial Labor, Human - Nonhuman Relations, Artistic Research
# 65
Do You See It? Well, It Doesn’t See You!
Anne Anlin Cheng and Tom Holert
Tom Holert: A key point in both Second Skin: Josephine Baker & the Modern Surface (2011) and its accompanying essay “Shine: On Race, Glamour, and the Modern” of the same year is what you have poignantly and paradoxically called the “disappearance into appearance,” referencing the particular “shimmering, excessively ornamentalized performance” of Anna May Wong in the 1929 movie Piccadilly . This act of disappearing, this loss of visibility in derealizing hypervisuality, runs against…
e-flux Journal
Posted: May 1, 2015
Category
Interviews & Conversations, Gender, Race & Ethnicity, Psychology & Psychoanalysis
e-flux Project
Category
Internet, Interviews & Conversations, Labor & Work
Subjects
Biennials, Community, Digital Humanities, Apocalypse , Corruption, Planet Earth , Artificial intelligence, Artistic Research , The Cosmos, Cosmism, Networks, Biopolitics, The Commons