Andrew V. Uroskie is Associate Professor of Modern Art and Media at Stony Brook University, where he teaches in the MA/PhD Program in Modern Art History and Criticism and the MA Program in Philosophy and the Arts, and the Graduate Certificate in Media, Art, Culture and Technology. Focusing on film, video, sound, installation, and performance, his writing explores how durational media have helped to reframe models of aesthetic production, exhibition, spectatorship, and objecthood. The author of Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (Chicago UP), Uroskie’s essays on modern and contemporary art, film, and visual culture have been published in October, Grey Room, Organized Sound, and numerous other academic journals and anthologies—most recently, the Jonas Mekas: The Camera Was Always Running (Yale UP) and Expanding Cinema: Theorizing Film through Contemporary Art (Amsterdam UP)—and have been translated into six languages. His forthcoming book, The Kinetic Imaginary—an interdisciplinary history of the emergence of temporality and movement in postwar American art—has been supported by the Creative Capital / Arts Writers Foundation Book Award.