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2 documents

# 90

Asset as Set: Filmmaking in Relation to a Certain Realness of Site

Wendelien van Oldenborgh

In the spring of 2016, We Are Here, a group of people who had been refused official stay in the Netherlands but could neither return to their countries of departure nor go anywhere else, squatted Tripolis 200, one of the three buildings of the complex, for roughly three weeks. Ironically, until two years earlier, this part of the complex had been occupied as the municipal office of South Amsterdam through which (accepted) citizens passed to register, get married, and pick up official documents.

e-flux Journal

Posted: April 4, 2018

Category

Film, Colonialism & Imperialism

Subjects

Temporality, Housing & Real Estate, Public Space

Forged Alternative

Wendelien van Oldenborgh

In the early 1990s, one of my wonderful brothers worked on an alternative cultural program on Amsterdam public television called de Hoeksteen . This program, a monthly talk show on current cultural affairs with prominent guests from both the art and political fields, was initiated by the artist Raoul Marroquin and is still going strong today with an informal and reflective flair. Another regular collaborator on the show early on was a provocative character named Martin Bosma, who had…

e-flux Journal

Posted: January 1, 2011

Category

Populism, Aesthetics, Nationalism

Subjects

Xenophobia