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Cite, Sight, Site: Notes on Citation as a Gesture of Reproducibility
Nkule Mabaso and Serubiri Moses
By invoking eighteenth- and nineteenth-century history—such as the Haitian Revolution and the Chimurenga in Southern Africa—and transnational trajectories not only of artists and writers but of exhibitions, the panel on “Citational Practices” moved away from a tendency towards the nationalization of discourse. This movement is one of the gestures that makes solidarity and reproducibility possible.
e-flux Journal
Posted: December 12, 2023
Category
Contemporary Art, Migration & Immigration
Subjects
Africa, Diaspora, Black Feminism, Black Studies, Biennials