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Joséphin Péladan: A Proto-Curator?
Beti Žerovc
A quintessential aspect of aesthetic modernism in the nineteenth century is that it produced not only a body of artworks and a profusion of – isms , but also a body of institutions and a template of practices that, unlike the art itself, were accepted almost without protest by the European and American art public. 1 As early as the late nineteenth century, the field of exhibition-making also had isolated examples of figures similar to the independent curator of contemporary art—although, of…
e-flux Journal
Posted: March 1, 2015
Category
Religion & Spirituality, Contemporary Art
Subjects
Curating, Christianity, The Occult & Mysticism