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Inscribed Vandalism: The Black Square at One Hundred
Aleksandra Shatskikh
Concerning the orgiastic frenzy that took place on the hundredth anniversary of The Black Square after the discovery of the sensational inscription, I wish to affirm with absolute conviction that Kazimir Malevich had nothing at all to do with it—the Russian avant-garde artist’s most important picture was vandalized by some “jolly and quick-witted” individual, who left a graffito on it. There have always been, always are, and always will be people who wish to debunk, unmask, and “smack down” The Black Square. Some vulgar humorist managed to leave his mark and perpetrate an outrage against the abhorrent “anti-picture.”
e-flux Journal
Posted: October 4, 2017
Category
Modernism, Painting
Subjects
Racism, Russia