→ Continued from issue #0: Conditioned Contemporaneity (Reartikulacija, Part 1 of 3) , by Sebastjan Leban
Let’s continue with an example of what the contemporary art market can devise in order to propel its business further. The latest innovation in this field is undoubtedly SeaFair’s Grand Luxe: a $40 million megayacht built to accommodate up to twenty-eight commercial galleries at any given time, with the cost of renting gallery space ranging from $10,000 to $30,000 per week. 1…
Issue #01
December 2008
With:
Staš Kleindienst, Dieter Lesage, Carol Yinghua Lu, Metahaven, Nataša Petrešin-Bachelez, Simon Sheikh, Jan Verwoert, Pelin Tan
Following the recent terrorist attacks in Mumbai, doctor and New Age guru Deepak Chopra commented on CNN that perhaps the worst thing for terrorist groups would be for someone like President-elect Obama to befriend the Muslim world and turn them against terrorists—simple as that! Such a statement is symptomatic of the idea that power today should, whenever possible, be exercised through attraction and seduction rather than through direct coercion. Joseph Nye, one of the intellectual fathers…
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9 Essays
December 2008
I. Some Reflections on the Last Documenta
If all goes well, the thirteenth edition of documenta will take place from June 9, 2012, to September 16, 2012. 1 Carolyn Christov-Bakargiev, the newly appointed artistic director of documenta 13, might consider reading Oliver Marchart’s latest book, which deals extensively with the last three editions of documenta: Hegemonie im Kunstfeld. Die documenta-Ausstellungen dX, D11, d12 und die Politik der Biennalisierung . 2 Marchart’s book…
In the New Europe
A rainy autumn day in Tallinn at 10 am. Between twenty and thirty experts convene in a tiny classroom. Their meeting is about the national brand of Estonia. A former Soviet Republic, independent since 1991 and now a member of the European Union and NATO, Estonia sits between Scandinavia and Russia, and it is only partially happy to be doing so. Almost everyone in the room thinks that Estonia doesn’t say the right things about itself to the world. No one likes Estonia’s…
Nataša Petrešin-Bachelez: You have become an almost regular guest in Ljubljana, and have a long history of working with art and cultural production coming from Eastern Europe, especially Slovenia. This resulted in several books, lectures, guest editorials of magazines, long-term collaboration with the groups Irwin and NSK, Marko Peljhan, and other artists and intellectuals. Looking back, what were the decisive points in the development of this very special interest?
Inke Arns: Being…
Craig Owens’ 1984 essay, “The Problem with Puerilism,” was written for a very specific context: as a response to the predominantly celebratory tone taken in Artforum at the time with regard to the emerging East Village art scene. 1 Much hyped for its energy, youthfulness, and general coolness, the scene was widely taken for granted. As such, it was exported as a generation rather than as a style or an -ism, or, for that matter, as individual artists (though individual artists were…
To be certain, art offers answers. Its strength, however, often lies in its unresolved problems. In his statements about his own work, Joseph Beuys absolutely inundated his listeners and readers with answers. As a consequence, the inner tensions and unanswered questions at the heart of his oeuvre are scarcely recognized. An unconditional acceptance of Beuys’ interpretive authority over his own practice has caused the discourse surrounding the oeuvre to fail to touch on a central unresolved…
Geographers say there are two kinds of islands. This is valuable information for the imagination because it confirms what the imagination already knew.
— Gilles Deleuze 1
In Martin McDonagh’s 2008 film In Bruges , two hitmen are sent into hiding in the Belgian city of Bruges by their British boss. Bruges is a picturesque tourist town, the best-preserved medieval city in Belgium, and the two killers have little to do there other than discover the physical environment through…