Memories for Forgetfulness Elsewhere | III. Images of Resistance from Elsewhere
War at a Distance
Harun Farocki
2003
58 Minutes
Copyright: Harun Farocki GbR
Date
Repeat: Wednesday, February 16
In 1991, when images of the Gulf War flooded the international media, it was virtually impossible to distinguish between real pictures and those generated on a computer. This loss of bearings was to change forever our way of deciphering what we see. The image is no longer used only as testimony, but also as an indispensable link in a process of production and destruction. This is the central premise of War at a Distance, which continues the deconstruction of claims to visual objectivity Harun Farocki developed in his earlier work. With the help of archival and original material, Farocki sets out in effect to define the relationship between military strategy and industrial production, and sheds light on how the technology of war finds applications in everyday life (Antje Ehmann)
Harun Farocki’s War at a Distnace is presented within Images of Resistance from Elsewhere, the third of five chapters in Memories for Forgetfulness Elsewhere, an online film program curated by Irmgard Emmelhainz for e-flux Video & Film. The program streams in five thematic group screenings each two weeks long, and will be accompanied by two live discussions.
For more information, contact program@e-flux.com.