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Spiritual Myopia

David Kelley, Patty Chang

This video is no longer available

David Kelley and Patty Chang, Spiritual Myopia (still), 2018.

e-flux presents Ecology After Nature: Industries, Communities, and Environmental Memory Spiritual Myopia
David Kelley, Patty Chang
2018

15 Minutes
USA

Date
August 14–27, 2020

Join us on e-flux Video & Film for an online screening of David Kelley and Patty Chang’s Spiritual Myopia (2018), on view from Friday, August 14 through Thursday, August 27, 2020.

Spiritual Myopia is a sculptural video work dealing with the invisible labor and desire of residents of the oil-industry boom towns of Fort McMurray in the Canadian Tar Sands, and Port Arthur, Texas. The two towns are terminal nodes of the proposed Keystone XL oil pipeline which would span the United States. Fort McMurray has the third largest oil deposit in the world. Its rapid pace of growth has meant a dearth of housing for its migrant workers. Port Arthur boasts the world’s largest concentration of oil refineries and its town center has nearly disintegrated from economic decline. These twin cities are related spatially as nodes in the same energy infrastructure, and temporally in their different stages of a boom or bust economy. Borrowing its title from Alfred Stieglitz’s photo Spiritual America, Spiritual Myopia speaks to the nearsightedness innate to hypercapitalism.

Spiritual Myopia is presented here as one of three films in Part One | Extraction: Environments and Communities​, the first of six programs in the online film and discussion series Ecology After Nature: Industries, Communities, and Environmental Memoryprogrammed by Lukas Brasiskis for e-flux Video & Film.

Ecology After Nature runs from August 14 through November 8, 2020. The films in Part Two will screen for two weeks, and subsequent parts will follow bi-weekly, with new films screened every other Sunday.

For more information, contact program@e-flux.com.

Return to Part One | Extraction: Environments and Communities

David Kelley is an artist working with photography, video, and installation. His recent projects draw attention to the effects of global capitalism, resource extraction, and shifting physical and political landscapes. Influenced by a range of visual traditions, Kelley draws upon elements of experimental documentary, ethnography, performance, and avant-garde cinema. By working at the intersection of these strategies, he encourages an understanding of his subjects that is simultaneously direct and speculative. His work has been shown in galleries and museums nationally and internationally. Recent exhibitions include the Rencontres Internationales Paris/Berlin, Museum of Modern Art in New York, and Fotofest Biennial, Houston. Other exhibitions include Commonwealth and Council in Los Angeles, The Bank in Shanghai, the de Cordova Biennial in Boston, BAK in Utrecht, MAAP space in Australia, and the Jim Thompson Art Center in Bangkok. He is currently based in Los Angeles, California, and is an Associate Professor of the Practice of Fine Arts at University of Southern California.

Patty Chang is a Los Angeles-based artist and educator who uses performance, video, installation, and narrative forms when considering identity, gender, transnationalism, colonial legacies, the environment, large-scale infrastructural project,s and impacted subjectivities. Her most recent collaborative project, Learning Endings, is a multi-part interdisciplinary research that has surfaced amidst the overlapping contexts of climate crisis, threatened ocean ecosystems, and challenges to scientific expertise. In addition to numerous awards and fellowships, her work has been exhibited at institutions such as the Museum of Modern Art, Guggenheim Museum, New Museum, M+ Museum in Hong Kong, and Moderna Museet in Stockholm, Sweden. She teaches at the University of Southern California in Los Angeles, CA.

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