Now half a century old, the decennial public art exhibition Skulptur Projekte Münster has unquestionably grown up. The first exhibition featured only male artists while now almost half of the participants are women; a retrospective exhibition of Michael Asher’s photography at Skulptur Projekte Münster—the artist participated in every edition from its inauguration in 1977 to 2007—is taking place at the LWL-Museum für Kunst und Kultur; a series of newspapers (Out of Body, Out of Time, Out of Place) were published in the run-up to the opening; and a research publication on the history of the institution is scheduled for 2019. The curators of this fifth edition—Britta Peters, Marianna Wagner, and co-founder Kasper König—have organized a non-thematic exhibition in 35 locations around Münster and the neighboring city of Marl. Add to that the 36 existing projects from previous editions—with works by Bruce Nauman, Claes Oldenburg, Donald Judd, and Rosemarie Trockel among them—and it is possible to trace a 50-year history of public sculpture, beginning with the placement of static monuments into the landscape and evolving to encompass digital media alongside participatory and performance art. While the monumental works mark the physical terrain, those of an ephemeral nature are lodged in the collective …