“THIS TOO, IS A MAP” questions the conventional relationship of map to territory, looking “to model multi-spatial and multi-subjective histories and knowledge.” Directed by Rachael Rakes with associate curator Sofia Dourron, the show features works by sixty-five artists chosen not as representatives of particular nations but for their embrace of transnational approaches. The diasporic bent of this list reflects an expansion of (and alternative approach to) cartography to articulate myriad overlapping personal roots and routes. One example is Tibetan-American artist Tenzin Phuntsog, whose video Pure Land (2022) attempts to trace landscapes across the American West that look similar to images of a homeland he’s never visited. In the film, he messages these images to his mother to comment on or verify their similitude. In the construction of these unknown nostalgic landscapes, the images Phuntsog takes are uncannily similar to their Tibetan counterparts. The comparison highlights the possibility that any space can be made into a home. At the same time, it floats subtle questions of what defines any given place. What lies underneath a landscape was the focus of one of the more unique venues of the biennale: an emergency bunker built for the former military dictator Park Chung …