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              “Neon Paradise: Shamanism from Central Asia”
              Ilaria Bombelli
              One clean cut and—snip!—the plait of hair flops to the floor. Then comes the next braid—snip!—and the next—snip-snip! Strand by strand, all the remaining black hair of this Asian woman, dressed in traditional Kyrgyz garb, is sheared off by her own hand. It falls around her feet, leaving her neck bare. A black screen. The video starts over. We see the same woman again, now plucking the strings of an ancient instrument called the kyl kyyak, while a man braids the same long hair that will soon fall prey to her scissors. Around them, a swarm of people—random visitors to a museum in Bishkek, Kyrgyzstan—gape at the scene. “This video/performance from 2001, titled Farewell Song, was inspired by an age-old custom in Kyrgyzstan, where women are supposed to let their hair grow until it is plaited into very thin braids for their wedding,” the gallery assistant tells me. “And so the scissors are symbolically severing all ties with a past that is felt to be stifling, in order to bid it farewell.” The artist seen here is Gulnara Kasmalieva, who along with with Muratbek Djumaliev (both live in Bishkek) seems to use the act of cutting (a leave-taking, a departure) as …
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