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              Holly White’s “Orange World”

              Lizzie Homersham
              “If you believe you’re a citizen of the world, you’re a citizen of nowhere. You don’t understand what the very word ‘citizenship’ means.” I was sent into a cold rage when I read these words what feels like a never-ending day ago in the transcript from Theresa May’s Conservative Party Conference speech of October 2016. The sentences still reverberate. Supposedly they targeted “people in positions of power [who] behave as though they have more in common with international elites than with the people down the road, the people they employ, the people they pass in the street.” They simultaneously scorned free movement, no-borders politics, and international solidarity. For those opposed to the Leave campaign’s catalyzing effects on xenophobia, disinvestment, and abstract nationalist desire to “take back control,” a heavy blow to hope had already been struck by the vote back in June. Following her appointment as prime minister, May’s formal response to the referendum result set the electorate’s action into cruel and condescending relief. “Orange World” opened in Barcelona two months after the Catalan referendum for independence from Spain. During my stay there, the city is punctuated by pro-independence yellow ribbons tied to railings or graffitied onto walls. Apartment buildings are …
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