In the San Paolo quarter of Rome, artists Emily Jacir and Michael Rakowitz staged a “performative” dinner to commemorate the life of Palestinian poet and translator Wael Zuaiter, executed by Mossad agents at his home in the city fifty-two years earlier. Organized by curatorial collective Locales, it was the final event in a public program focusing on the body as an artistic medium for learning and transformation. Nearly one hundred guests gathered at long tables on the terrace of Città dell’Utopia, an international social laboratory dedicated to communitarian activism located in an eighteenth-century farmhouse that was a trattoria and antifascist hub founded by Augusto Volpi in 1907 and later a refuge for resistance fighters during World War II. Now an anachronistic apparition surrounded by apartment blocks, it is still a welcoming, convivial hive. The poignant title, evoking the far-reaching repercussions of every action, is taken from a poem by Francis Thompson that Zuaiter quoted in an article published in L’Espresso shortly before his assassination. Zuaiter was the first victim of the Israeli operation Wrath of God, ostensibly targeting those held responsible for the massacre carried out by Black September at the 1972 Olympic Games in Munich. In 1980, several Israeli …