It’s tempting to throw Londoner Stephen Willats in with the crop of neglected artists born in the first half of the last century currently being “unearthed” by the voracious contemporary market machine. Willats, born in 1943, may fit the generation, but to suggest that he required rediscovery would be misleading. Nonetheless, despite solo shows in the UK alone in the last two years at the South London Gallery, Raven Row, Modern Art Oxford, and Victoria Miro—a gallery with whom he has a longstanding collaboration—his work still feels anachronistic. The earliest piece in this exhibition of drawings at Anne Mosseri-Marlio Galerie is from 2008, yet Willats’ practice retains the positivism of the mid-1960s, when he first started working. “Attracting the Attractor” is a cabinet-style presentation of 17 drawings and 2 digitized Super-8 films. The visitor first encounters Making a Rich Connection (2008), a drawing topped with a frieze of figures photographed in the street; lines pointing to some of these people identify them in various relationships from “stranger,” to “accomplice,” or “soulmate.” Below the frieze these identities are associated with squares that interact in different manners, as defined by the lines between and around them. These interactions and connections become progressively denser …