The ambiguity of Jason Hirata’s exhibition title speaks to his ambidexterity as artist and videographer, two roles that fold into one another in this show. Hirata produces videos for artists, as well as documenting live events and providing technical assistance, and this exhibition presents six videos he has worked on. The precise nature of his labor, however, remains oblique or uncredited, the exception being Hito Steyerl’s 2018 video Unbroken Windows (a piece of paper sellotaped to the wall lists Hirata as production manager and director of photography). “Sometimes You’re Both” continues Hirata’s recent practice of deconstructing the solo show. For his “25 October, 2015—12 May, 2019” exhibition at Kunstverein Nürnberg in 2019, he exhibited other artists’ work under his own name. Similarly, “Sometimes You’re Both” is neither strictly artist-curated nor collaboratively billed. More liberty is taken here with the display of works than in “25 October, 2015—12 May, 2019”: technical equipment sits out in the open on tabletops. While this could be mistaken for slacker aesthetics, it’s rather another instance of the artist divulging the mechanics of artistic production—or, perhaps more specifically, the invisible labor behind installation. Films play from laptop to projector in a visible circulatory system. The …