Keti Chukhrov - Practicing the Good: Desire and Boredom in Soviet Socialism

Revealing the hidden desire for capitalism in contemporaneous anticapitalist discourse and theory.

Practicing the Good: Desire and Boredom in Soviet Socialism

Keti Chukhrov

By means of the philosophical and politico-economical consideration of Soviet socialism of the 1960s and 1970s, this book manages to reveal the hidden desire for capitalism in contemporaneous anticapitalist discourse and theory. The research is marked by a broad cross-disciplinary approach based on political economy, philosophy, art theory, and cultural theory. 


Practicing the Good: Desire and Boredom in Soviet Socialism, a philosophical consideration of Soviet socialism, is not meant simply to revisit the communist past. It unravels the epistemes generated by socialist society and its political economy to witness to what extent certain zones where capitalism’s domination is resisted—the zones of anti-capitalist critique in continental thought since the 1960s, institutions of civil society, and present theoretical provisions of emancipation—are in fact permeated by an unconscious form of capitalism and thus unwittingly affirm the capitalist condition.


“In her book, Keti Chukhrov shows that the Western Left’s rejection of the Soviet model of historical socialism is an effect of the cult of desire that makes leftist critics of capitalism vulnerable to seduction by western consumerism. It is the old truth that the Good is not as aesthetically appealing as the Evil. Practicing the Good is highly original, very persuasive, and must be read by everyone who is interested in the history of socialism and the contemporary critique of capitalism.”
—Boris Groys

“Keti Chukhrov is undoubtedly one of the most important feminist theoretical voices to emerge in post-Soviet Russia. Her scrupulous and innovative mapping of the socialist non-libidinal economy, through her readings of Vygotsky in particular, conjures an unprecedented relationship to loss that opens a yet unexplored way between mourning and melancholia.”
—Catherine Malabou

“Do we really want the abolishment of private property? Of economy driven by surplus value and profit? The overthrow of capitalism? Do we desire it? Keti Chukhrov, in this most remarkable book, argues that even the seemingly most radical critics of capitalism and all its ramifications unconsciously collude with what they criticize, at times through the very notion of the unconscious. In her highly original account, the experience of historic socialisms implies lessons that run counter to the bulk of critiques of capitalism and Soviet socialism alike. An invaluable read.”
—Mladen Dolar

Reviews

“Back from the future”, Radical Philosophy • Sascha Freyberg and Lukas Meisner

“The book is engaged not so much with the past as with the present and the future: it is a counterhegemonic undertaking reclaiming something like radical leftism from the false appropriations of anti-communist postmodernisms. It provides an insightful, estranging perspective that shifts the settled horizon beyond its given normality in order to…

“The book is engaged not so much with the past as with the present and the future: it is a counterhegemonic undertaking reclaiming something like radical leftism from the false appropriations of anti-communist postmodernisms. It provides an insightful, estranging perspective that shifts the settled horizon beyond its given normality in order to appropriate experiences from an at least partly more ‘advanced’ societal formation. In this way, a new panorama opens up in whose light a whole set of realities appear that have been hidden from view.”

Read more
Read less

“Review of Keti Chukhrov – ‘Practicing the Good: Desire and Boredom in Soviet Socialism’”, Marx & Philosophy Review of Books • Isabel Jacobs

“Excellently unveils how this dismissal of Soviet socialism originates in an unresolved desire for alienation in post war continental thought, permeating the works of Butler, Deleuze, Lyotard, and others. Instead of historically revisiting Soviet socialism, Chukhrov’s ambitious book analyzes how Soviet socialist culture challenges unrevised assumptions,…

“Excellently unveils how this dismissal of Soviet socialism originates in an unresolved desire for alienation in post war continental thought, permeating the works of Butler, Deleuze, Lyotard, and others. Instead of historically revisiting Soviet socialism, Chukhrov’s ambitious book analyzes how Soviet socialist culture challenges unrevised assumptions, paradoxes and aberrations in contemporary anti-capitalist critique. Chukhrov further explores the potentially divisive claim that Soviet socialism did not fail for being insufficient but because it was too much socialism.”

Read more
Read less
Category
Aesthetics, Philosophy, Sexuality & Eroticism, Communism, Marxism, Film, Capitalism, Economy, Psychology & Psychoanalysis
Subject
Russia, Soviet Union, Boredom, Post-Communism, Realism, Socialist Realism, Consciousness & Cognition

Keti Chukhrov is a ScD in philosophy, and a Tage Danielsson guest professor at the Linkoping University. In 2022-2023 she was a guest professor at the University of Arts and Design in Karlsruhe. Until November 2022 she worked as a professor at the School of Philosophy and Сultural Studies at the Higher School of Economics (Moscow). In 2017-2019 she was a Marie Sklodowska Curie fellow at Wolverhampton University (UK). She has authored numerous texts on art theory and philosophy. Her latest book Practicing the Good: Desire and Boredom in Soviet Socialism (University of Minnesota Press/e-flux, 2020) deals with the impact of socialist political economy on the epistemes of historical socialism. Her books include To Be—To Perform: “Theater” in the Philosophic Critique of Art (European Un-ty, 2011), and Pound &£ (Logos, 1999), and a volume of dramatic writing: Merely Humans (2010). Her research interests and publications deal with the philosophy of performativity, the comparative epistemologies of capitalist and non-capitalist societies, and art as the institute of global contemporaneity. She authored the film-plays Afghan-Kuzminki (2013), Love-machines (2013), Communion (2016), and Undead (2022), featured at numerous venues.

September 2020
Paperback, 304 pages, 15 b&w illustrations, 5 1/2 x 8 1/2 inches
ISBN 978-1-5179-0955-0

Printed and distributed by
The University of Minnesota Press

Foreword by
Boris Groys

Series editors
Julieta Aranda, Brian Kuan Wood, Kaye Cain-Nielsen, Anton Vidokle

Design
Noah Venezia

Front cover design
Liam Gillick

Subscribe

e-flux announcements are emailed press releases for art exhibitions from all over the world.

Agenda delivers news from galleries, art spaces, and publications, while Criticism publishes reviews of exhibitions and books.

Architecture announcements cover current architecture and design projects, symposia, exhibitions, and publications from all over the world.

Film announcements are newsletters about screenings, film festivals, and exhibitions of moving image.

Education announces academic employment opportunities, calls for applications, symposia, publications, exhibitions, and educational programs.

Sign up to receive information about events organized by e-flux at e-flux Screening Room, Bar Laika, or elsewhere.

I have read e-flux’s privacy policy and agree that e-flux may send me announcements to the email address entered above and that my data will be processed for this purpose in accordance with e-flux’s privacy policy*

Thank you for your interest in e-flux. Check your inbox to confirm your subscription.