Christopher Knowles: In a Word

The Contemporary Arts Museum Houston is pleased to present Christopher Knowles: In a Word. Christopher Knowles (born 1959, New York; lives Brooklyn) is regarded as a poet and painter, yet his output is broader than this suggests. This exhibition, his most comprehensive to date, spans many mediums—text, sound, painting, drawing, sculpture, and performance—including pieces made in collaboration with esteemed theater director Robert Wilson.

The work records and reorders the everyday materials around us using incantatory rhythms and repetition. Typings of language permutations, reimagined song lyrics, interlocking blocks of raw color commonly depict family and close friends. Sculptures are precise and direct in construction: polka-dotted cones, brilliantly hued paper cutouts, Lego structures, and accumulations of wind-up alarm clocks. Performances feature daily routines rendered into theatrical exaggeration. Taken together, Knowles’s art places him squarely in the tradition of Laurie Anderson, Joseph Beuys, Stuart Sherman, Paul Thek, and other twentieth-century artists who opened a large window on do-it-yourself production, interiority and the shifting registers with which an artist’s voice can enunciate in social settings.

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This exhibition is co-organized by Anthony Elms, Chief Curator of the Institute of Contemporary Art at the University of Pennsylvania, and Guest Curator Hilton Als, writer and chief theater critic for The New Yorker. Its presentation at CAMH is facilitated by Curator Dean Daderko. The fully illustrated catalogue accompanying the exhibition includes essays by Elms and Als, a reprint of an autobiographical text by Knowles, and a new essay by art historian Lauren DiGiulio.