Shifting Objectives: Design from the M+ Collection

M+, the new museum of visual culture in Hong Kong’s West Kowloon Cultural District, is pleased to announce Shifting Objectives: Design from the M+ Collection, the inaugural display of the museum’s groundbreaking design collection—the first of its kind in Asia. Shifting Objectives will run from November 30, 2016 to February 5, 2017. It will be the second show to be mounted at the new M+ Pavilion, a permanent space on the West Kowloon site that will host the museum’s exhibitions until the opening of the M+ building in late 2019.

Including more than 120 works spanning from 1937 until now that have been acquired, or are under consideration for acquisition, by the museum, Shifting Objectives provides a preview of the scope and breadth with which M+ is approaching design and the object, focusing on the latters’ changing roles and meanings in the 20th and 21st centuries, as seen from the museum’s vantage point in Asia.

With an exhibition design by the Hong Kong-based studio COLLECTIVE, Shifting Objectives comprises two primary sections:

“Histories” draws out some of the ways in which M+ is telling, constructing, and revisiting the historical, narratives of design in Asia, within a global, transnational context. Spanning the second half of the 20th century, a series of five vignettes, or “rooms,” offer tightly-edited snapshots of how design helped shape, and was shaped by, the social, cultural, economic, and political milieus of, respectively, post-World War II Japan; post-independence India; China under Mao; and Hong Kong’s manufacturing and export heyday of the 1950s until the 1980s. The fifth “room” re-examines postmodern design of the 1970s and 1980s, offering a new interpretation of that international phenomenon as seen primarily through the work of its Japanese practitioners. Highlights of the “Histories” section range from key designs by Yusaku Kamekura, Sori Yanagi, Charlotte Perriand, Shiro Kuramata and Ettore Sottsass, to Mao-era propaganda posters, iconic 1960s and 1970s plastics by the Hong Kong brand Red A, and an early example of the world’s first commercially successful electric rice cookers, produced by Toshiba beginning in 1955.

“Constellations” takes a more open-ended approach to design, leaning towards the contemporary. Inviting audiences to form their own connections and interpretations, the approximately 40 works in this section, arranged in an open field, suggest the many ways of situating design and the object, whether through the reinvention of craft; assemblages of found objects; digitally-enabled design and fabrication processes; the reformulation of text, images, and interactions; the prism of power relations; or evolving notions of copying. Highlights range from important works by Japanese studio nendo, Hong Kong designer and artist Stanley Wong, Chinese designer Li Naihan, the Swedish group Front, and British designer Jasper Morrison, to the Sony AIBO (1999), first-edition emojis (1999), and items recently acquired at Huaqiangbei, the electronics district of Shenzhen.

Shifting Objectives: Design from the M+ Collection is organised by Aric Chen, Lead Curator, Design and Architecture, with Jennifer Wong, Assistant Curator, Design and Architecture. The M+ collection of design and architecture currently includes more than 2,500 works out of a total collection of around 6,000.

For further information, please contact:
Hong Kong: West Kowloon Cultural District Authority
press@wkcda.hk

Internatinoal: SUTTON Hong Kong
wkcda@suttonpr.com

About M+
Hong Kong’s museum for visual culture—encompassing 20th and 21st century art, design, and architecture, and moving image from Hong Kong, China, Asia, and beyond—M+ will be one of the largest museums of 20th and 21st century visual culture in the world. Located adjacent to the park on the waterfront, the museum building, designed by Herzog & de Meuron, is scheduled to open in 2019.

About West Kowloon Cultural District
Located on Hong Kong’s Victoria Harbour, the West Kowloon Cultural District is one of the largest cultural projects in the world. Its vision is to create a vibrant new cultural quarter for Hong Kong. With a complex of theatres, performance spaces, and M+, the West Kowloon Cultural District will produce and host world-class exhibitions, performances, and cultural events, as well as provide 23 hectares of public open space, including a two kilometre waterfront promenade.