it takes a long time to stay here: Paintings by Jordan Ann Craig

it takes a long time to stay here: Paintings by Jordan Ann Craig

Block Museum of Art at Northwestern University

Jordan Ann Craig, Sharp Tongue: Used to Cut Deep, 2024. Acrylic on canvas, 70 x 70 x 2 1/2 inches. Courtesy of the artist. Photo: Nicholas Valdes.

February 3, 2025
it takes a long time to stay here: Paintings by Jordan Ann Craig
January 25–April 13, 2025
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Keynote: February 26, 6–7:30pm, Jordan Ann Craig with m.s. RedCherries, moderated by Jordan Poorman Cocker
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The Block Museum of Art at Northwestern University proudly announces it takes a long time to stay here: Paintings by Jordan Ann Craig, the first major solo exhibition in the Midwest region of work by Jordan Ann Craig (Northern Cheyenne). Running through April 13, 2025, the exhibition features seven large-scale abstract paintings, all displayed together for the first time.

Craig’s practice is bold and abstract, with innovative use of color, line, and form. Her compositions also reflect a profound engagement with Northern Cheyenne aesthetic tradition that is rooted in extensive research. Craig draws upon Indigenous art forms such as beadwork, pottery, and textiles. Her paintings are deeply inspired by museum collections and archives as well as the dynamic landscapes of the Southwestern United States, where she lives and works.

“Jordan Ann Craig’s paintings invite a slow, contemplative engagement through their complex combinations of color, geometry, and form. We can meditate on the visible surfaces, on the Indigenous histories of abstraction that inspire their patterns, and on our own personal connections to what we see and the often humorous, sometimes profound titles that she gives each work,” says Kathleen Bickford Berzock, Associate Director of Curatorial Affairs at The Block.

The exhibition’s evocative title, it takes a long time to stay here, is drawn from the poem spinning air by m.s. RedCherries (Northern Cheyenne). The title underscores themes of reflection, grounding, and interconnectedness, and emphasizes the reward that viewers will derive from spending extended time with each painting. Craig’s enigmatic painting titles, intricate patterns, and rich palette offer an immersive viewing experience, where the meaning of each piece unfolds through deep observation and personal interpretation.

Craig describes her work as a continuation of her family’s artistic legacy. “Growing up, my parents gave us art supplies instead of toys,” she shares. “We never knew what kind of monsters we’d become with them. My dad built furniture and painted, and my mom was constantly crafting and creating. Now, that sense of play and precision carries into my paintings.”

The exhibition is presented concurrently with Woven Being: Art for Zhegagoynak/Chicagoland, a landmark exhibition that foregrounds Indigenous voices, histories, and methodologies through the lens of the Chicagoland region and its Native communities. In conjunction with it takes a long time to stay here, The Block Museum also announces the acquisition of one of Craig’s works for its permanent collection. Titled Sharp Tongue: Used to Cut Deep (2024), the acquisition will directly support teaching and learning across Northwestern.

Exhibition keynote: A conversation with Jordan Ann Craig and m.s. RedCherries
Wednesday, February 26, 2025, 6pm. Free and open to all / RSVP requested.

it takes a long time to stay here is curated by Kathleen Bickford Berzock, Associate Director of Curatorial Affairs, Janet Dees, former Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art, and Jacqueline Lopez, 2024–25 Interdisciplinary Graduate Fellow at The Block Museum of Art. The exhibition is partially supported by the Alsdorf Gallery Endowment and a grant from the Illinois Arts Council. Additional generous support is provided by the Alumnae of Northwestern University. Support for the publication has been provided by Hales Gallery, New York.

About the Artist
Jordan Ann Craig (b. 1992 San Jose, California) is a Northern Cheyenne artist living and working in Pojoaque Valley, New Mexico. She grew up in the San Francisco Bay Area and received her BA in Studio Art and Psychology from Dartmouth College.  She is the recipient of several fellowships and residencies including from the Golden Foundation for the Arts; the School for Advanced Research; the Institute for American Indian Arts; the Roswell Artist-in-Residence Program; the Ucross Foundation; East London Printmakers Project; Cork Printmakers International; and the Scuola Internazionale di Grafica. Her works are in the collection of the Guggenheim Museum, New York; Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; Anderson Museum of Contemporary Art, Roswell, New Mexico among others.

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February 3, 2025

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