Rotimi Fani-Kayode: The Studio – Staging Desire / Abi Morocco Photos: Spirit of Lagos

Autograph’s gallery in Hackney will be launching two new exhibitions: Rotimi Fani-Kayode: The Studio – Staging Desire, exploring a radical vision of culture, intimacy, desire and pain, and Abi Morocco Photos: Spirit of Lagos, capturing the rich style and joyous spirit of Lagos in the 1970s through portraiture.

Rotimi Fani-Kayode: The Studio – Staging Desire
Curated by Mark Sealy. In a space where the barriers between difference and fantasy are dissolved, Rotimi Fani-Kayode’s photographs are a spirited exploration of culture, intimacy, desire and pain. From 1983 until his death in 1989, the artist lived and worked in Brixton, where his studio transcended into a sanctuary visualising black queer self-expression.

A prominent figure in the Black British art scene, Fani-Kayode’s staged and crafted portraits playfully beckoning the viewer to embrace new possibilities of the self. The Studio – Staging Desire is the culmination of meticulous research into the artist’s archives, presenting never-before-seen works.

The studio enabled Fani-Kayode to live, be free, find love and express himself amongst London’s fluid, racial multiverse. With an emphasis on gesture, pose and a sense of longing the photographs he produced reveal a cosmos of signs and symbols to understand the dynamics of desire.

His transgressive and radical vision broke through boundaries of art history and Yoruba spirituality. These photographs reveal what it meant for Fani-Kayode to negotiate the status of “outsider”, turning this into the generative force that has defined the artist’s practice.

Abi Morocco Photos: Spirit of Lagos
Curated by Bindi Vora and Lagos Studio Archives. Spirit of Lagos unearths the story of Abi Morocco Photos, one of the most vibrant photographic studios operating in Lagos. The studio’s remarkable black-and-white portraits celebrate the rich style and joyous spirit of a generation of Lagosians during a transformative period in Nigeria’s history.

Operated by husband-and-wife duo John Abe and Funmilayo Abe the studio thrived from the 1970s to 2006. The exhibition Spirit of Lagos focuses on the studio’s formative decade—the 1970s. Unlike many African portrait studios of that era, the Abes carved out a unique photographic vocation: few female practitioners or collaborators in this context were named and worked so prolifically in a male-dominated field. Merging their professional and personal lives, the couple balanced raising a large family while running a successful commercial photographic studio.

Their oeuvre encompasses a variety of styles: from formal studio portraits to commissioned photos at home and moments of celebration. The studio was frequented by Lagosians of many walks of life including those who had attained economic prosperity during Nigeria’s rapid transformation following the oil boom.

The Abes merged striking visual elements such as a chequerboard floor and hand-painted backdrops with the bustling Lagos metropolis. When viewed collectively these beguiling portraits brings the sitters and their world into a space of liberation and reimagination, vividly capturing the rhythm of everyday life.

In the 2000s many studios, including Abi Morocco Photos, transitioned towards digital photography. As a result, many negatives and physical records were at risk of being lost or destroyed in favour of new technologies. The works on display are the result of the ongoing efforts of the Lagos Studio Archives project, which aims to preserve and present the legacy of Nigerian studio photography. Through their research the contributions of studios like Abi Morocco Photos are now recognised in the cultural history and discourse of African studio portraiture.

Free entry. October 31, 2024–March 22, 2025.