Which hierarchy are you subjected to?

Which hierarchy are you subjected to?

Arts of the Working Class

Michikazu Matsune, How did you dream last night?, 2021. Courtesy of the artist.

November 6, 2024
Which hierarchy are you subjected to?
Introducing AWC no. 34.1 as ePaper
artsoftheworkingclass.org
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Is our family like a tree, firmly rooted, or like a fan, unfolding in many directions? The notion of family has long been framed as a stable, secure entity. Yet today, family values are shaped by forces that generate profound insecurity—economic, ecological, and social. Drawing from Astra Taylor’s insights in The Age of Insecurity, this issue -for the first time available as ePaper- examines how systems designed to create security, like money and property, paradoxically deepen our anxiety and uncertainty.

As we approach the end of a year marked by wars and destabilization, we rethink the family nucleus as more than just a biological or historical unit. Taylor’s argument that capitalism is an “insecurity-producing machine” applies here, as the traditional family model is manipulated by power structures to uphold inequality, creating both division and a false sense of safety.

Inspired by Japanese graphics from the Edo period (1603–1868), safeguarded at the Langen Foundation—celebrating its 20th anniversary as a family-run art collection—we explore how contemporary artists reinterpret the era’s sustainable practices of togetherness, where human and ecological bonds coexisted in both peace and crisis. Through artists like Michikazu Matsune and Ayami Awazuhara, we see how family ties, like other social structures, are fluid and shaped by their surroundings. Yet, as Taylor notes, insecurity invites solidarity. Even the privileged are not immune to financial or environmental precarity, as Joshua Citarella and Catherine Liu discussed in their conversation on the rise of the new managerial class.

As curator Sohrab Mohebbi reminds us, “Art is where we practice freedom,” and that freedom opens new possibilities for collective strength. In this light, this issue explores how expanding our concept of families—and by extension, cities and societies—can offer a path toward resilience. We hope you enjoy this edition, carefully curated to introduce Arts of the Working Class in Japan, made possible by our collaboration with Art Week Tokyo and Visit Berlin.

The issue features contributions by Takashi Arai, Fanny Noria Arai Harlan, Ayami Awazuhara, Joshua Citarella & Catherine Liu, Leiko Ikemura, Amelie Jakubek, Mami Kataoka, Sandra von Halem, Karla Zerressen and Sabine Langen- Crasemann & María Inés Plaza Lazo, Catherine Liu & Joshua Citarella, Dalia Maini, Andrew Maerkle & Toshiharu Omuka, Katrin Mayer, Michikazu Matsune, Shorab Mohebbi, Paulina Nolte, Ayumi Paul, Kolja Reichert, Lilo Ruminawi, Shimabuku, Christian Tschirn, and pieces from the Japanese collection of the Langen Foundation.

Read the ePaper here. Support our labor here.

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Arts of the Working Class
November 6, 2024

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