RAGE
June 21–October 20, 2024
Nadya Tolokonnikova, an artist who is founder of the feminist collective Pussy Riot, has long been persecuted in Russia for her conceptual performances and artistic protest against the Putin regime. Her performance Punk Prayer in the Christ the Savior Cathedral in Moscow, recognized by The Guardian as one of the most important artworks of the twenty-first century, ended for her and her colleagues with imprisonment for “hooliganism motivated by religious hatred.”
OK LINZ is bringing Nadya Tolokonnikova’s art to the museum, presenting her haunting works dealing with resistance, repression, and patriarchy for the first time to the European public.
Tolokonnikova’s oeuvre encompasses objects, installations, and performative works in which she processes her traumatic experiences during her life under Putin. Out of a state of repression, she has developed a visual language that rebels against aesthetical and political realities: anarchic and radical, yet also moving and witty.
“Being from Russia brings me pain. Most of my life, even after 2 years imprisonment following my art protest, I chose to stay in Russia, even though I had plenty of opportunities to immigrate, I tried to change Russia, make it a country that I would be proud of—peaceful, prosperous, friendly, democratic, loving, a country that values human life, art and happiness. First with Voina Group, later with Pussy Riot, I’ve been in performance art since 2007, for 17 long years—years filled with joy of protest and comradery, harassment, arrests. I watched my friends being murdered and revolutions suffocating under Putin’s boot.“ —Nadya Tolokonnikova
An oversized blade hangs like a sword of Damocles over visitors to the OK. “Shiv” is the title, American prison slang for an improvised knife. It stands for the precarious situation of artists and activists in Russia who, like Tolokonnikova herself, live in constant fear of persecution by the Russian judiciary. The exhibition will spotlight a selection of Situatioinist actions by Pussy Riot. At the center is Tolokonnikova’s 2022 performance Putin’s Ashes in which she joined forces with twelve women from Ukraine, Belarus, and Russia who experienced repression and aggression at the hands of the Russian president to burn a portrait of Vladimir Putin in a desert, collecting the ashes in small bottles.
“This art is a weapon,” says Tolokonnikova of her works, analyzing and exploring in this way the role that her art and she herself can play in the context of international power structures.
Curators: Michaela Seiser / Julia Staudach
