Goodbye to Love
A conversation of all those whose lips are sealed
October 1, 2023–January 7, 2024
Capucijnenstraat 98
6211 RT Maastricht
The Netherlands
Hours: Tuesday–Sunday 12–5pm
T +31 43 327 0207
info@marres.org
Featuring works by Hyesoo Park, Jinju Lee and James Webb, the exhibition Goodbye to Love addresses the ways in which we have become lost in our worlds, drifting with our memories, searching for anchors, dealing with loneliness and aching for comfort.
Hyesoo Park
Korean artist Hyesoo Park (Seoul, Korea, 1974) has been exploring the complex contradiction Koreans feel between, on the one hand, the pressure to make a career and gain prestige and, on the other, having a fulfilling personal life, for years. Park’s work is often about emotions and especially about masking them. The exhibition features her work Our Joyful Young Days (2022) in which the artist interviews retired factory workers about their first loves.
For Marres, Hyesoo Park established a new installation work consisting of stories, memorabilia and filmed interviews about love harvested in the Limburg region. For this, she developed the website goodbye2love.com where visitors can share their story or memorabilia.
Jinju Lee
Jinju Lee was born in Busan, Korea in 1980. She received a BA and MA in Eastern painting from Hongik University, where she is currently a professor of Eastern painting. She uses in-depth observations about life and our reality to create detailed images of memory fragments or everyday objects that have symbolic meaning. Lee employs the techniques of Eastern painting that are used to depict details to create scenes that feel intensely foreign, but are actually grounded in the real world. They feature encapsulated memories, floating islands, and introverted landscapes inhabited by solitary figures who are both poignant and unsettling.
James Webb
James Webb was born in Kimberley, South Africa, in 1975. He lives and works in Stockholm, Sweden. He is an artist known for site-specific interventions and installations. His practice often involves sound, found objects, and text, invoking references to literature, cinema, and the minimalist traditions. By shifting objects, techniques, and forms beyond their original contexts and introducing them to different environments, Webb creates new spaces of tension. These spaces bind Webb’s academic background in religion, theatre, and advertising, offering poetic inquiries into the economies of belief and dynamics of communication in our contemporary world.
Curated by Valentijn Byvanck.
