Allora & Calzadilla: Entelechy

Serralves is pleased to announce a major exhibition of the artists Allora & Calzadilla: Entelechy. A project both conceived and meticulously planned in close collaboration with the artists themselves, the present exhibition is the first mid-career survey of the artistic duo and a unique opportunity to experience in person a selection of their most celebrated works, some of which have never been shown in Europe.

The concept of “entelechy”, dating back to Aristotle, entails a sense of self-realized potential and vital force driving the development of every being; but it can also refer, in common language, to the unattainable perfection of an idea. This notion reflects the poetic and philosophical complexity of Allora & Calzadilla’s ongoing practice while it directly gives name to one of their most ambitious productions to date: a monumental coal sculpture cast from a tree struck by lightning (Entelechy, 2020). The artists sourced a scots pine tree found in the forest of Montignac, France, where a group of teenagers discovered the now-famous Lascaux Cave in 1940 from the path famously indicated by a similar tree’s upturned roots. Thus, an underground cavern containing hundreds of prehistoric wall drawings emerged in the middle of the geopolitical upheaval of World War II. The only image of a human figure ever found in the cave—representing a hybrid of human and bird—becomes, in the meantime, the basis for the score that the composer David Lang developed together with Allora & Calzadilla as a performative dimension of this work.

A look at more than two decades of practice, that reveals new connections in an open-ended chronology, this ambitious presentation brings together some of the duo’s most iconic pieces, including early installations such as Chalk (1998), a set of twelve human-size chalks installed in Porto’s municipal Parque da Cidade, inviting passers-by to engage with these unique mark-making instruments. Also featured in the show will be the body of work exploring the complex history of Vieques, an island off Puerto Rico that the United States Navy used as a bomb-testing site from 1941 until 2003. The project itself played a key role in the island’s social movements and has contributed decisively towards the debate on the relationships between the great world powers and the history of the Caribbean. Iconic films by the artists, such as Returning a Sound (2004), Under Discussion (2005) and Half Mast/Full Mast (2011), originated in the Vieques series as it thus encapsulated more than a decade of Allora & Calzadilla’s research.

The works in this exhibition highlight the interdisciplinary and collaborative nature of the artists’ practice, as well as themes that run throughout their entire oeuvre, from the postcolonial condition to environmental justice and climate debt; geological time and the evolutionary history of life on Earth; geopolitics and energy resources. In this regard, this exhibition highlights a series of sculpture-performance based works that are central to Allora & Calzadilla’s trajectory, such as Hope Hippo (2005), Stop, Repair, Prepare: Variations on ‘Ode to Joy’ for a Prepared Piano (2008), Lifespan (2014) and Entelechy (2020), which will be regularly staged throughout the course of the exhibition in collaboration with local musicians and performers.

Performances and public programs
Please check our website for more information.

About the catalogue
The exhibition is accompanied by a catalogue that can be seen as a visual and conceptual expansion upon the themes of the exhibition, with exclusive texts by the curators and writers Irene V. Small, Emanuele Coccia and André e Teodósio.

About the artists
Since the beginning of their collaborative practice in 1995, Allora & Calzadilla have presented solo exhibitions at some of the world’s most important museums—including the Museum of Modern Art, New York; The Neue Nationalgalerie, Berlin; The Menil Collection, Houston; Serpentine Gallery, London; the Castello de Rivoli Museo d’Arte Contemporanea, Turin; the Walker Art Center in Minneapolis, MAXXI, Rome; Guggenheim Museum Bilbao, Spain; and the Stedelijk Museum, Amsterdam, among others. In 2011 they represented the United States of America at the 54th International Art Exhibition of the Venice Biennale with an ambitious project, Glória—a performative critique of the narratives and symbols that overlap in America’s political, cultural, and economic nationalism. In 2015, they made the site-specific installation “Puerto Rican Light (Cueva Vientos)”, a Dia Art Foundation commission on the southern coast of Puerto Rico.

The exhibition is curated by the museum director Philippe Vergne, and chief curator, Inês Grosso.

The exhibition received support from Charles Kim and Gwen Weil
Additional support: The Grow/Annenberg Foundation, Lisson Gallery and Danniel Rangel