July 1, 2020
One Brookings Drive
St. Louis, Missouri 63130
United States
samfoxschool@wustl.edu
Curatorial Statement
During fall 2019, first-year MFA in Visual Art candidates conducted extensive experiments in their newly built studios in Weil Hall, simultaneously engaging in group critiques and collaborations with students and faculty in the school’s graduate programs in architecture and illustration and visual culture. Despite global conditions of isolation caused by the pandemic, in spring 2020 the artists continued to make strong work from home, thus entering the field of contemporary art at a historically unprecedented time.
The works of Jessica Bremehr and Alexa Velez depict gendered bodies involved in imaginary events and psychological states. In Bremehr’s colorful, tragicomic paintings, the figure portrayed is a human being who happens to be a woman, a condition with serious side effects. In Velez’s carefully edited video and sound works, the artist performs dance and movement depicting inner states of psychological distress, staged in anonymous domestic and urban spaces. A different take on the body is seen in the interdisciplinary work of Younser (Seri) Lee, whose sculptures, performances, and installations convey a deep preoccupation with the passage of time and the ephemerality of all beings. Takura Suzuki, Adrian Gonzalez, and Richard Pan treat images as battlegrounds of memory, imagination, and trace. Gonzalez’s inspiration comes from the accidental images caught on a cellphone, which the artist transforms into often large-scale paintings. Suzuki’s digital renderings point directly at the relationships between power and seeing, asking us to consider difficult questions about the future of humanity. Pan’s atmospheric digital photographs of urban spaces at night offer a glimpse into reality that is both sensual and ominous, cinematic and architectural. These works contrast with the mixed-media sculptures created by Maddie Grotewiel, who merges the abundance of the sensorial with post-apocalyptic connotations, offering poetic investigations of private memories. Finally, Ryan Erickson’s installations, drawings, and word-based works offer humorous, yet existential and phenomenological, questions about the historical and empirical conditions of our time.
—Monika Weiss, associate professor
The MFA in Visual Art program at the Sam Fox School of Design & Visual Arts educates artists who will define and change the future of their disciplines—in small, medium, and extra-large ways. It instills students with the agency and resiliency that will be essential to the next generation of artists. Led by professor and newly appointed chair Lisa Bulawsky, the program is home to an inclusive, close-knit community of renegade makers and thinkers, and offers students a site of rigorous inquiry, humanity, and intellectual generosity. The Sam Fox School has abundant resources, with expansive facilities and studios that serve as a think tank for intellectual and material experimentation. The program is located within a tier-one research institution and is proud of its location in St. Louis, which serves as both an extension of the studio and site of engagement for art and artists. The MFA in Visual Art professionally prepares students for a diversified approach to the field of contemporary art that nurtures sustained, lifelong engagement while recognizing multiple pathways and definitions for a career in the arts and culture.
The Sam Fox School of Design & Visual Arts at Washington University in St. Louis is a leader in architecture, art, and design education. We are advancing our fields through innovative research and creative practice, excellence in teaching, a world-class university art museum, and a deep commitment to addressing the social and environmental challenges of our time. Through the work of our students, faculty, and alumni, we are striving to create a more just, sustainable, humane, and beautiful world.
