Abattoir U.S.A.!
February 25–April 16, 2023
Swift Hall, 3rd floor, 1025 E 58th St
Cobb Hall, 4th Floor
5811 S. Ellis Ave
Chicago, Illinois 60637
USA
Aria Dean’s solo exhibition at the Renaissance Society Abattoir U.S.A.! consists of a newly commissioned film of the same title.
Abattoir U.S.A.! surveys the interior of an empty slaughterhouse. The slaughterhouse is animated using Unreal Engine, a 3D computer graphics tool used to create real-time environments for a wide range of platforms. In Dean’s film, the viewer follows a linear path through an impossible architecture—a seamless combination of 19th, 20th, and 21st century design elements and non-Euclidean spaces rather than a direct model of an existing building. The film is accompanied by an immersive 8-channel score by composer Evan Zierk, which weaves together field recordings, samples, melodies written by Zierk and Dean, and algorithmically generated sequences. Influenced by Romantic-era classical composition and Hollywood melodrama, this multidimensional score plays a vital role in developing the film’s affective landscape, and its experimentation with the construction and limitations of narrative. Dean significantly altered the idiosyncratic architecture of the Renaissance Society to create the film’s viewing context. Laying a rubber floor on the ground, building side walls that echo the cattle’s path in a slaughterhouse and adding a steel door, the space becomes an eerie reflection of what’s on screen.
Dean was initially inspired by philosophers Georges Bataille and Frank Wilderson, each of whom address the slaughterhouse in their writings—whether as a metaphor or paradigm–as crucial to the constitution of civil society. Abattoir U.S.A.!, also builds on Dean’s own research into the slaughterhouse and industrial architecture, and the ways they reveal modernism’s intimacy with death on conceptual, political, and material levels. The film ruminates on this through the slaughterhouse’s presence as both an allegorical structure and a literal place where the boundary between human animal and machine is produced and reproduced. As it takes the slaughterhouse as its subject and projects its forms into a virtual space, Abattoir U.S.A.! ultimately explores how meaning is produced through moving images, working across material, symbolic, and technological registers.
Public program: Tuesday, March 28, 6pm CT
In an online conversation, Aria Dean joins Michael Connor, Co-Executive Director of Rhizome, and Filip Kostic, one of her collaborators on Abattoir, U.S.A.! to discuss formal and technical aspects of her new film and larger questions related to virtuality and cinema.
Aria Dean (b. 1993) lives and works in New York. Recent solo and two-person exhibitions and performances include REDCAT, Los Angeles (2021); Greene Naftali, New York (2021); Artists Space, New York (2020); Centre d’Art Contemporain Genève, Geneva (2019); and the Albright-Knox Art Gallery, Buffalo, New York (2018). Significant group shows include the Whitney Biennial: Quiet as It’s Kept (2022); the Hammer Museum’s biennial Made in L.A. 2020: a version (2021); the Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2019); The MAC, Belfast, Northern Ireland (2019); Tai Kwun, Hong Kong (2019); Schinkel Pavillon, Berlin (2018); Swiss Institute, New York (2018), among others.
Aria Dean’s new film commission for this exhibition was co-produced by The Vega Foundation. Major support for the publication is provided by the HARTWIG ART FOUNDATION. Aria Dean’s research for this project was supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.
Major annual support for the Renaissance Society is provided by 247 and The Andy Warhol Foundation for the Visual Arts. Additional support is provided by The MacArthur Fund for Culture, Equity, and the Arts at Prince and The Provost’s Discretionary Fund at the University of Chicago. This program is partially supported by a grant from the Illinois Arts Council Agency. All Renaissance Society publications are made possible by The Mansueto Foundation Publications Program. The Study at University of Chicago is the Renaissance Society’s Exclusive Hotel Sponsor.