February 2023 exhibitions

Exposé·es
February 17–May 14
Curator: François Piron

Today we live amidst epidemics that affect all of us, humans and non-humans alike. The book that inspired this exhibition, Elisabeth Lebovici’s Ce que le sida m’a fait—Art et activisme à la fin du 20e siècle [What AIDS Did to Me—Art and Activism at the End of the 20th Century] looks to sew back together subjective fragments of the deadliest epidemic of the last century: the facts, works, ideas and emotions that linked the material to the immaterial. It questions how the pulsations of desire, loss, anger, pain, memory and the archive have together made history. How they allowed for the (re)composition of interrupted genealogies, the federation of communities that produced forms and structures that still operate today, at times beyond their initial aims. How they anticipated questions of gender, class and race and the unconscious dynamic of ableism, the construction of norms around a putative state of “good health”.

In a way, this exhibition engages quite literally with the book’s title: what the AIDS epidemic does to artists, and what it does to an exhibition today. How it changes consciousness, society, creation. AIDS is here not a subject but rather as an interpretative grid through which to reconsider a broad range of artistic practices that were exposed to the epidemic. Beauty here emerges as a possible response in the face of the political and social consequences of intersecting pandemics. 

Far from proposing a commemoration, the exhibition blurs temporalities and articulates a discourse in the present, inviting artists to question their own histories from the present day and reflect as to what was transmitted to them from the previous century.

Leaving behind the ostensible boundary between activism and artistic practice and focusing instead on the cathartic, therapeutic or informative effects of art, the artists in this exhibition come together around the ways in which they create and speak, in the ways in which they use their bodies and their affinities, all of which offer resources for new articulations between aesthetics and emancipation.

As part of the exhibition Exposé.es, a series of 5 conversations moderated by Elisabeth Lebovici and François Piron will take place at the Palais de Tokyo. The exhibition is extended by a programme at the Centre national de la danse and with an edition jointly published by the Fonds Mercator. 

Artists: Les Ami·es du Patchwork des Noms, The Bambanani Women Group, Bastille, yann beauvais, Black Audio Film Collective, Gregg Bordowitz, Jesse Darling, Moyra Davey, Guillaume Dustan, fierce pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka) & Jo-ey Tang, Nan Goldin, Felix Gonzalez-Torres, Hervé Guibert, Barbara Hammer, Derek Jarman, Michel Journiac, Zoe Leonard, audrey liebot, Pascal Lièvre, Santu Mofokeng, Jean-Luc Moulène, Henrik Olesen, Bruno Pelassy, Benoît Piéron, Lili Reynaud-Dewar, Jimmy Robert, Régis Samba-Kounzi & Julien Devemy, Marion Scemama, Lionel Soukaz & Stéphane Gérard, Georges Tony Stoll, Philippe Thomas, David Wojnarowicz

Ma pensée sérielle, Miriam Cahn
February 17–May 14
Curators: Marta Dziewanska et Emma Lavigne

Shaped by the emergence of second wave feminism, Miriam Cahn’s artistic practice engages with the materiality of the body and confronts the sociopolitical preoccupations of the present. In this way, she introduces a reflection on systems of violence, power, nuclear energy, feminism and sexuality.

This solo exhibition by Miriam Cahn, Ma pensée sérielle, is the first major presentation of her work in a French institution and will take place at the Palais de Tokyo from 16 February 2023. It brings together works from the 1980s to the present day that attest to the artist’s relationship with the original subject and its variation, and the way in which her explicit activist thought takes on a serial form to denounce the ever-repeating violence of the world and the fragility of beings.