Karl-Tizian-Platz
6900 Bregenz
Austria
Hours: Tuesday–Sunday 10am–6pm,
Thursday 10am–8pm
T +43 5574 485940
kub@kunsthaus-bregenz.at
Kunsthaus Bregenz’s 2024 annual program includes four exhibitions in Bregenz, a project in digital space together with three neighboring institutions, and the world premiere of an opera developed as part of the Opera Atelier in collaboration with the Bregenz Festival.
Kunsthaus Bregenz has made a name for itself with exhibitions designed exclusively for KUB and Peter Zumthor’s architecture. The projects planned for 2024 also pursue this goal. Three of the four artists invited to Bregenz have created works that are tailor-made for the house. With Günter Brus, Anne Imhof, Tarek Atoui, and Precious Okoyomon, KUB is presenting four of the most important artists of our time.
KUB 2024.01
Günter Brus
February 17–May 20
Opening: Friday, February 16, 7pm
With Günter Brus (b. 1938, Ardning), Kunsthaus Bregenz is showing the oeuvre of a Viennese Actionist for the first time. Brus is considered one of the most important Austrian artists of the postwar period and a pioneer of Body Art.
KUB 2024.02
Anne Imhof
June 8–September 1
Opening: Friday, June 7, 2024, 7pm
Anne Imhof (b. 1978, Giessen) is one of the most important contemporary artists of our time. Her signature artistic expression is rooted in performance pieces, creating a body of work, that always revolves around alienation and isolation, social distancing and bodily experience. At Kunsthaus Bregenz, Anne Imhof ushers in a compelling transformation of her performative works.
KUB 2024.03
Tarek Atoui
September 14–November 3
Opening: Friday, September 13, 7pm
Tarek Atoui (b. 1980, Beirut) is no stranger to Bregenz. In 2017 and 2018 he thrilled the audience with sound performances. Atoui explores the relationship between body and sound. Kunsthaus Bregenz, with its acoustically sensitive spaces, is particularly well-suited to Atoui’s work.
KUB 2024.04
Precious Okoyomon
November 16, 2024–January 19, 2025
Opening: Friday, November 15, 7pm
Precious Okoyomon’s (b. 1993, London) installations deal with the threat that colonialist practices pose to nature. At the 2022 Venice Biennale, the plant overgrew Okoyomon’s installation To See The Earth Before the End of the World. At Kunsthaus Bregenz, the artist and poet, re-focuses on the exuberance of being, with a series of sculptural interventions inspired by their most recent book of poetry But Did You Die?.
