Switchers: Playworlds, 2018–2022

Works by Emanuel Almborg, Ksenia Pedan, Jamie Baker, Prince Owusu, Merlyn Hawthorne, Ellis Holt, Ruth Oshunkoya, Caitlin Williams, Mary Yekini, in collaboration with Buck Blake, Valentina Coley, Rhos Lapworth, Doridan Nahoum Bavangila, Priscila Siboko Bohe, Brandon Thorne, Liam Tooze, Edmund Wozencraft; from Paris/Brétigny: Agathe Barre, Sara Bouazzaoui, Loïc Hornecker, Yasmine Kicha, Shveta Lebonheur and Arsène Roy; from William Tyndale School, London: Eloise Alexander, Alfie Brennan, Sara Checchi, Gabi Constantine, Davide Diana, Julia Galassini, Theo Grinberg, Valentina Hernandez-Leonor.

Curator: Thomas Conchou

The exhibition Playworlds, 2018–2022 presents a series of works drawn from Switchers, a collaborative framework that combines visual arts, theatre, video and pedagogy, developed through worldbuilding and play. Switchers comprises an evolving network of artists, performers and young people from Hackney, London and Mid Powys, Wales. The group addresses social struggles, ownership, racism and issues faced by young people, using collective imagination to connect city and country. Switchers was first initiated by artist Emanuel Almborg as a youth theatre exchange in 2018 and has since developed into a series of extended and shifting artistic collaborations, generating new projects and works.

Playworlds, 2018–2022 presents two new videos—one directed by Jamie Baker and produced by Almanac, London/Turin, another by Prince Owusu with young amateur artists from Brétigny, produced by CAC Brétigny—alongside collectively authored Acorn (2021) and Almborg’s The Nth Degree (2018). These films are installed within a scenographic installation created by the artist Ksenia Pedan, who previously produced set design for Acorn. The exhibition will also travel to Almanac Inn’s spaces in Turin in 2023.

The Nth Degree (2018) documents the initial youth theatre experiment that brought together young people from London and Wales. Convening to create theatre, the participants studied two historic moments: the peasant “Rebecca Riots” against land enclosure in 1840s in Wales and the 2011 London riots. The resulting film tackles issues of political violence and the distribution of wealth, reflecting on differences in class, race and access to property.

Acorn (2021) is a filmed play, devised by the same young people who took part in The Nth Degree. This project marked a shift in the group: the participants became Switchers, a collective in its own right. Acorn’s script was developed using a method inspired by the “playworld” pedagogy of Soviet psychologist Lev Vygotsky, driven by improvisation and emotional experience. The film’s world and characters are borrowed from the novel Parable of the Talents by African American writer Octavia Butler set in a dystopian near future. Acorn recounts the experience of a small, rural community trying to survive by imagining new forms of collectivity in a world stricken by authoritarian rule and ecological crisis. The film is presented within Pedan’s installation, reminiscent of Acorn’s collective farm.

Remnants, directed by Jamie Baker, who first joined Switchers as an actor in The Nth Degree and Acorn, departs from the latter’s storyline in a collaboration with school children from London. In a future United Kingdom, several children develop a gift for “hyper-empathy” and can communicate emotions speechlessly through telepathy and movement. The film will present the hyper-empathetic choreographies and dance devised by Baker and the project’s participants.

Finally, as part of Playworlds, 2018–2022, Prince Owusu from Switchers, an actor in The Nth Degree and Acorn, will work with Sara Bouazzaoui, Loïc Hornecker, Yasmine Kicha and Shveta Lebonheur, students from Brétigny, to produce action-theatre workshops that will culminate in a new film. Participants of the workshops will be invited to reappropriate a monologue that Owusu performs in The Nth Degree describing the lived experience of a peasant in an oppressive feudal system.

The long duration of the Switchers project has enabled roles to change and progress. Through a shared learning experience, Almborg, the initiator, has moved from the role of artist to facilitator, with several of the young people that joined as actors now directing works.

Endowed with critical education tools and co-creation techniques, Switchers experiments with new ways of articulating the political questions of its members, addressing the need to produce futures that do not merely reproduce the present.

Press file available here.

Thomas Conchou is a curator, director of the contemporary art center of Ferme du Buisson (Noisiel, France), member of the Curatorial Hotline collective and facilitator for the implementation of Fondation de France’s New Patrons program. In 2020, he was curator in residency at the art center Maison Populaire (Montreuil, France), an association for popular education and amateur practice, where he led a two-year cycle of exhibitions and events on queer artistic practices. In 2021, he was commissioner for the AWARE art prize where he presented the work of the laureate, Gaëlle Choisne. In 2022, he joined the jury of the Utopi·e prize for queer artists, the selection committee of the Salon de Montrouge, and is the guest curator for the first edition of The Kooples Art Prize. He is the recipient of the Textwork writing grant from the Pernod Ricard Foundation, and curated exhibitions for Sissi Club (Marseille, France) and CAC Brétigny (Brétigny, France). 

Switchers is a theatre/film group composed of a network of artists, performers and young people from Hackney, London and Mid Powys, Wales, initiated as a youth theatre exchange in 2018 by artist Emanuel Almborg. It seeks to link city and countryside through issues that young people face. It has since developed in to an extended and shifting collaborative framework for artistic production based on playworlds. A playworld is a creative pedagogy that combines drama, narrative and play, based on a shared world of collectively created fiction. A world and characters are drawn from an existing source, such as a book or newspaper article. In this framework, groups and individuals can create and experiment with artistic production through a common space of imagination. 

The exhibition Playworlds, 2018–2022 is supported by the Swedish Institute and the Swedish Arts Grants Committee. The work Remnants was produced in partnership with Almanac Projects (London) and Almanac Inn (Turin) with the support of Arts Council England, Fondazione CRT and Fondazione Compagnia di San Paolo. The CAC Brétigny is a cultural establishment of Cœur d’Essonne Agglomération. Labeled as a Contemporary Art Center of National Interest, it benefits from the support of the Ministère de la Culture—DRAC Île-de-France, Région Île-de-France and Conseil départemental de l’Essonne, with the complicity of the Brétigny-sur-Orge’s municipality. CAC Brétigny is a member of TRAM and d.c.a.